dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
Cds available via links below. Your support for our music is greatly appreciated.

About Me

My photo
Current album Dave Graney and the mistLY LYVE AT BYRDS. Two albums in 2020, "Dave Graney and Clare Moore In Concert with Robin Casinader" and "Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross". Two albums in 2019. ONE MILLION YEARS DC by Dave Graney and Clare Moore and ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? from Dave Graney and the mistLY. WORKSHY - 2017 memoir out on Affirm Press. Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Monday, March 15, 2021

In regard to the photo with Silverchair in last post.


So this is from 1995 at the ARIA awards. Silverchair had won Best Single for TOMORROW which was their first single, I think.

I was there to make the scene (The ARIAS scene) and had a job to present an award. It was an easy gig. We had our album the Soft N Sexy Sound out at teh time amnd we would work it all through the next year and I would win an ARIA for Best Male Artist at the 1996 awards.

I had been knocking around in the far fringes of underworld rock music since 1978.  We got to make all ourmistakes in dark rooms where there were few people. These kids were winning awards with their first single and album. They were teenagers, not allowed to be in pubs.

I think we shared a dressing room with them at the Big Day Out earlier in the year. It was at the Melbourne Showgrounds and our part of the room had a table groaning with sliced fruit and cheese and tubs of beer in cans and wine and vodka. Across the room, they sat with people I presumed to be their parents, a few bags of crisps and some soft drinks. 

We were playing in a smaller, enclosed area, not out in the big tents.  They went on before us and there were kids throwing themselves off of the surrounding sheds rooves and others feinting and being carried backstage by roadies and St Johns ambulance people. Some would wake up and see Silverchair and then fall into a swoon again. It was a teen pop event.

We followed them and played a Soft n Sexy set to a wholly different crowd. In retrospect that seems like a good festival shifting of scenes and people through different sounds and times of lives and a day.

Back to the ARIAS. We sat there for as long as it took to take the photo . I dont think we talked. 

Then Kimberley Davies, who was then playing an improbable normal suburban Melbourne girl in Neighbours walked into the room. And looked pretty improbably great and no one knew what to say or where to look.

 Silverchair closed the show with Tim Rogers playing Radio Birdmans' NEW RACE. It seemed pretty contrived at the time. Rebelliousness and all, organized and choreographed and well lit etc.

Looking back, it looks and sounds pretty good. Daniel Johns really suits that kind of song. Tim Rogers actually looks like Davey Lane, the future (?) lead guitarist of You AM I. It would have been great if Silverchair had've listened to more Saints and Radio Birdman instead of Nirvana or whatever they were hearing then. All that howling, yarling, angsty Yankee music. They should have tuned into some classic punk.

When I won the ARIA award the next year, the "industry" band being groomed and presented was Savage Garden who debuted a single and then won everything the following year. 

It would have been an excellent event in 1995. The Cruel Sea won BEST GROUP and You AM I won Best Independent Release. The Seekers got a Lifetime HALL OF FAME type award 

Anyway, Radio Birdman, love 'em.

This is a clip from the Marryatville Hotel in Adelaide in 1977. Clare Moore is in the crowd here somewhere. (Not the blonde girl dancing up the front, thats Kate Jarrett) I was working at a timber mill in Mt Gambier, having left school the previous year. My mates had gone to Adelaide to go to University and were telling me about this amazing band when I would visit them or they would come home. I never saw them in their historical period. Later in 1996 and then later again in Melbourne in 2017 where we opened for them at the Croxton. I had met Rob Younger a few times and always found him to be such a nice guy. The time previous to this had been when we had both been on a bill with The Blue Oyster Cult in Melbourne. Rob was with his band, The New Christs. Rob brought along Blue Oyster Cult singles and albums for his heroes to sign. I had also seen Rob dealing with his own fans. At a club they had played there was a line of semi drunk, serious guys all hardly able to look at him, each testifying to how Birdman had changed their lives. Rob gave all of them some time and was very patient, kind and generous to all. Respect! I had a good chat with Deniz at the Croxton. I found him to be as perfectly somber, serious and intense as I expected him to be. I was, and remain, a fan.


Henry Clay said...

Dave, you are giving off the vibe of a veteran bush circuit comic or country singer, sitting there with those kids with that larrikin look on your face. I mean that as a compliment.

You never see Kimberley Davies in anything these days. I hope it all worked out well for her.

Murray White said...

Fascinating read Dave.

dave graney said...

KImberley came back to Australia for a Neighbours anniversary show about ten years ago. Yes, improbably beautiful actor. Born in the wrong decade?

SGWatson said...

Thank you Dave, enjoyable read. Write another book, just make it up, we won't know the difference.

Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert


Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"


ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)



2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


Keepin' It Unreal-(2006)-minimalist/lyrical vibes,bass and 12 string set - digital or as CD

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp

UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal