dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

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Current album Dave Graney and the mistLY LYVE AT BYRDS. Two albums in 2020, "Dave Graney and Clare Moore In Concert with Robin Casinader" and "Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross". Two albums in 2019. ONE MILLION YEARS DC by Dave Graney and Clare Moore and ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? from Dave Graney and the mistLY. WORKSHY - 2017 memoir out on Affirm Press. Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Sunday, February 19, 2012

north and south of the river - full whack

this piece appears , in edited form, in the current edition of MELBOURNE REVIEW. Thought I'd put up the full version here..

North and South of the river. The Yarra river in Melbourne. Once proudly brown stretch of running bilge water now looking a lot healthier. Probably a city divide most keenly felt by musicians who were active in the 20th century. Yes, once south of the river was where all the shows and cabarets were. Where the Musicians Union itself was (is?) located. (A handy place to get a drink after hours in the early 80s when everything shut at 10pm.).
Last year, when Nick Cave drove himself to the radio show I do with Elizabeth McCarthy on RRR (Banana Lounge Broadcasting –every Tuesday at noon), he confessed he had to use his GPS as he was in a foreign country north of the river. (RRR is in East Brunswick). Same with Chris Stockley, guitarist from the Dingoes who were perhaps from a generation who set forth on the bandstands a decade earlier. North of the river was not where it was once at. It was not on their maps. The city in their minds.
I myself was a SOUTH OF THE RIVER type who finally had to be dragged towards Sydney rd in the early 90s. I had never been that far North as I thought it was full of hippies. (Don’t know why-tahts what I’d heard is my only defence). I went as far as the very beginning of Sydney Rd and considered journeying any further into the hinterland as a complete folly. Only barbarians, dense delinquent undergrowth and strangely numbered trams would be ahead- surely! Occasionally, a drive to Sydney would require a trip down that road. Just like the outer edges of Parramatta rd coming into Sin City at the other end, it was a parade of car yards, lighting warehouses and what looked to be their attendant brothels for miles. Luckily we were usually hungover or drunk and found ourselves much more interesting than anything the outside world could offer.
Now, decades later, the worm has turned. Almost all live music in clubs and pubs happens north of the river. Indie acts tremble at the thought of crossing over to the other side. There are very few venues if they ever decide to do so and most importantly, no audience interested in attending that sort of an interior for that sort of a racket. So we are led to believe. They have simply lost the proverbial vibe. Rock musician! The caravan has moved on and the dogs are pissin’ on yer swag!

Of course, there are some venues like Pure Pop which is the behind a record shop and like a cute folk club in ambience. It attracts a particular clientele of old school south of the river freaks. Niche as all hell. It also gets occasionally raided by tribes of wandering backpackers. St Kilda is like that. Its always had incredible “walk past” and “walk up” crowds. Now they’re walking past with coins jangling in their pockets. Great place to have a bar. As to venues there’s also the Greyhound which until recently was the last bastion of grimy never say die rootless and toothless south of the river rock’n’roll. Not my cup of tea really, though I grew up around that kind of milieu, for real. Then I grew out of it. The Greyhound was refurbished and is now a super duper Gay Venue which packs hundreds of party people into it every weekend. Where there was a band room there is now an enormouse chamber with a ceiling that has crashed through what was three floors above the old joint. Lights befitting an outdoor festival stage and walkways for a top shelf fashion parade. Needless to say, the old crowd were grumbling somewhere out there. The Hotel opened up a room at the front for live music on the days when the drag room was dark. I did a gig with my band there and it was great. Totally deluxe gear and fittings and the people were excellent to work with. I mean, they had all the noblesse oblige of landed gentry who were sitting on a place that was paying off and set to do so for a long time in advance. Hopefully the live music will continue.

Then there’s the Esplanade which has such a great location overlooking the bay and has long been a music venue both in the front room and down back in the Gershwin Room. It has survived having a much larger building land on top and over it to pimp itself on tv as the location for “Rockwiz”.

Down the road, and like the Greyhound of recent months, the Prince of Wales used to have a drag show called “POKEYS” for many years and IT was the main business for what became the big band room. Initially, rock music was a little bit of activity on the side of an enormously happening meeting of underworlds. The dressing room was full of the drag costumes and had lights around the big mirrors like a real showbiz joint. Later, the music took over the whole building with several different sized bars all pumping out the sounds. Much more of a home for South of the river freakiness than the Esplanade. The big room at the Prince is still operating but its much less of a local parade through there. Big international touring sideshows and dj nights. It has been bought again recently and its future plans as far as music goes are up in the air.

I caught some young acts from South of the River. They all had a very odd 80s fetish and generally a very studied rock’n’roll look. Lite metal,kind of trashy goth glam aesthetic. They would not fly easily over the other side of town – perhaps as anachronistic throwbacks. They could be hip for being so badly out of time. Exotic even. South of the River in general is quite relaxing for being a Hipster Free Zone. Xanadouche is across town.

So it was a surprise recently when I went to catch a bunch of old friends called SMOKE MACHINE playing at the front bar of the Prince. SMOKE MACHINE feature Dave Last on vocals. He is a true South of the River identity. He hates to cross that water! He told me he did last year but stepped off the tram in Brunswick street and then hopped straight back on for St Kilda. It was dodgy but he much preferred it.
The guitarist of SMOKE MACHINE owns one of the said machines and that’s pretty much the reason for their existence. They like the smoke machine! Dave used to write amazing songs for his bands the Boy Kings and Autovegas but to this day has never, ever recorded anything or released it or written any of his golden boogies down. If there isn’t a band to play them, they disappear! He’s into rock’n’roll for the thrills. In the old days he was always going to come into the room at the start of the set with his 12” pompadour high, riding on the back of a Harley- even when the gig was on the second floor. He was a trouper.
SMOKE MACHINE play only covers. Crude, battered shit like “smoke on the water” and “born to be wild” and terribly ambitious anthems like “Born to run”. They jump on anything and give it a good squirt. They were playing in the actual front bar of the Prince of Wales, the bar that opens onto the street. They used to call the bottom bar of the Esplanade the “Star wars Bar” because of the freakiness of the clientele, well this is where they’ve ended up. Real damaged, funny, good time people. Dancing in the afternoon and washing down a whole lot of booze. Dave’s pipes are a bit rusty on this day but the speakers he is singing through aren’t the best. He has also, quite endearingly, never seemed to have learned how to hold a mic right in front of your mouth. The bigger the notes he tries for, the further away he holds it from his mouth. Maybe he’s got better hearing than the rest of us and its all sounding bigger where he is. Anyway, they play two sets – on the floor- to a wild and willing crowd who walk in and out of the room past them, occasionally stopping to salute and then suddenly remembering they have to have a smoke. The crowd is half old school, which includes the regular blue collar gay blokes, and also half drunken backpackers A great South of the River afternoon, like being in a classic honky tonk, spoiled only by the news that the St Kilda council have issued a $1000 fine between sets to the pub for noise. On Fitzroy street St Kilda they are worried about noise! Shame!

Across the river? Well theres the Old Bar, Bar Open, Yah Yahs (on Smith street where it is surrounded by half a dozen other music venues), The Evelyn, (again several other bars on Brunswick street), The Corner, The Northcote Social Club, Bar 301, the Phoenix, the Edinburgh Castle, the Tote, the Toff in Town, the Workers Club, the Metro, the Hi Fi, Billboard, Bennetts Lane and many, many, many more. What happened?

A few weeks out from my South of the River afternoon and I’m in a hushed bar in Fitzroy, listening to a geeky guy in extra casual clothes fingerpicking an expensive looking acoustic which he has put through a beautiful Fender twin amp. The songs are slow and considered and nuanced and no one talks. He takes an age both to tune and shuffle through his lyrics pages which he has on a music stand. He chats quietly to the audience as if they are old friends, which they probably are. Sounds lovely doesn’t it? I wonder to myself what the effect would be like if he was in that Prince bottom bar, how long would he last with this type of precious, self conscious behaviour? Would they just make him cry before he even started? Would he rise to the occasion and for gods sake speak up a bit or at least bring the tempo up for or five fold? I do enjoy his playing and the sound he gets is just great. It’s just so nice and polite.

That’s what Melbourne could do with actually, a good dose of South of the River saltiness. We’ve had enough of the douchetopia haven’t we?

an evening in the garden- perth writers festival - friday feb 24th 7pm

(in the Sunken Garden - writers festival - talking with writer Simon Collins and playing songs on my acoustic)

Dave Graney, Fiona O'Loughlin and Anne Manne consider why they decided to write about their own lives.
(Tropical Grove-Perth Writers Festival precinct- sat 25th feb)

3rd March - Harry Howard and the NDE launching their album at the Tote.

dave graney and the mistLY -spiegeltent - arts centre melbourne sunday 25th march 5pm

Sunday, February 12, 2012

playing at the south melbourne street festival this sunday 19th afternoon - coventry street

dave graney and the mistLY
Thats how we're gonna be handled for 2012 onwards.

Recorded a great album in early February and now we're figuring out when and how to drop it. Guitars,bass and drums. Did two days at Soundpark.11 songs on the first day, one more and all the vocals on the second. Overdubbed some backing vocals, percussion and acoustic guitar for 3 songs.
Mostly its just the sound of our band in a studio. No layering or overdubs.
Idge runs Soundpark and he got a great sound from the room and the band.

I'm mixing it now but all I do is bring up the faders on the tracks and its all there. Not using any effects. Its down on whats there instead of tape! The hard drive!

blues negative
flash in the pantz
I don't wanna know myself
field record me
lifes a dream
midnight cats
mt gambier night
cop this,sweetly
we need a champion
I'm not the guy I tried to be
playin' chicken

dave graney and the mistLY

I went into two amps , my combo and a Fender twin...

and also had a PZM on the window of the booth.

Stu Thomas went straight into an Avalon pre amp....

Stu and Stuart were out in the room and Clare in her booth

Then all the singing went down


17th February dave graney will be helping the BEDROOM PHILOSOPHER to launch his book at Trades Hall in melbourne.Reading from his own "1001 australian nights".

19th February dave graney will be playing a solo acoustic set as part of the Sth Meelbourne street festival which is in Coventry st .

an evening in the garden- perth writers festival - friday feb 24th 7pm
(in the Sunken Garden - writers festival - talking with writer Simon Collins and playing songs on my acoustic)

Dave Graney, Fiona O'Loughlin and Anne Manne consider why they decided to write about their own lives.
(Tropical Grove-Perth Writers Festival precinct- sat 25th feb)

Sunday 26th Feb - solo show at Mojos in Fremantle w/ Tomas Ford

3rd March - Harry Howard and the NDE launching their album at the Tote.

dave graney and the mistLY -spiegeltent - arts centre melbourne sunday 25th march 5pm

Tropic Thunder-wedding band career 1 - and out

Went to a delightful wedding at Wye River,just past Lorne. Inclement weather forced proceedings inside to the surf lifesaving club . Plans had been for the guests to be standing on the bride over the river Wye as the bride was rowed down and under us by a crew of stout galley slaves. Perhaps this may have had to coincide with planning and knowledge of the tides as if it was going in the boat may have been in a static non moving position as the rowers fought the waters power.
So the beautiful and happy couple took their vows under an arch inside.

The guests had been asked to dress in a "tropical style".

There was then a wedding dance which was a total Busby Berkley routine where the amazing couple had a first and 3rd row of dancers in front , around and behind them. A tango morphing into a Bollywood routine.Blindingly well executed. Then the band played.
Peter Luscombe and Clare Moore alternating on drums.Aaron Cupples on guitar, Pat Bourke and Phil Kakulas on bass, Dan kelly on guitar and keys and Dan Luscombe also on guitar and keys. I sat at the back and played acoustic guitar. The latter Dan was really the musical director and arranged all the songs after nutting out the chords.

We had all arrived the night before and attended a song bootcamp at a sweat lodge high above the river which lasted until 2 am.

All songs had been requested by the bride and groom.
Guest vocalists were Quincey Maclean on Unit 4plus 2s "concrete and clay" and the Turtles "happy together". Dan L sang "I only have eyes for you" and also led us through a beautiful version of Santo and Johnny's "sleepwalk". Lilith Lane came on and sang Etta James "at last" and Madonnas "crazy for you".
I had a lunge at " one night of sin" by Elvis Presley and Amanda Roff did a great version of the Beach Boys "God Only Knows" accompanied by Dan L on guitar and ending with the assembled throng harmonizing. Sweet.

Had a great time. People stayed on the dancefloor until the early hours, the waves crashed all night long.

Drove back to town the nest day, after cleaning the surf life saving club up.

Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert


Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"


ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)



2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp

UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal