dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
Cds available via links below. Your support for our music is greatly appreciated.

About Me

My photo
Current album Dave Graney and the mistLY LYVE AT BYRDS. Two albums in 2020, "Dave Graney and Clare Moore In Concert with Robin Casinader" and "Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross". Two albums in 2019. ONE MILLION YEARS DC by Dave Graney and Clare Moore and ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? from Dave Graney and the mistLY. WORKSHY - 2017 memoir out on Affirm Press. Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Thursday, January 27, 2011


This article appears in the current Adelaide Review.

Went for a walk one morning. Just after Xmas and New Year and the world was still kind of giddy and hungover and not quite back into gear. Where I live is a bit like the Adelaide hills, only further out from the city and covered in fern trees and gums. Hills. The east side hills of Melbourne. A walk is as good as a run and you go up and down the vale. The road twisted to a dirt track and a fellow was ahead of me, struggling with a box. he kept stopping to rest and I eventually caught up with him. Ahead of us was a bluestone set of steps and then two quite sheer streets that take a lot out of the fittest person. he had stopped to rip open the carton and down a beer. it was 9:30 on a Sunday morning. I am always gladdened by the sight of people misbehaving and offered to help him with his burden up the next few levels. He said he was ok but he was puffing and I picked up the box. We walked on and he was embarassedly saying that the next few streets were just that bit too steep at the moment. I agreed. I offered some advice to him in that he could have bought cans and probably got 30 to a case and they’d still have been lighter. He said he liked Crown Ales.
He had standards. he said he’d started drinking at 6 am that morning. His wife was not around to tell him to stop and the beer was sitting there in the sky. the way he said it sounded logical.
I helped him to his gate and we parted ways.
I’m not a drinker myself, though I once was. I got out of the habit when I moved to this area. It involved so much more driving that I just stopped. I also noticed I dropped about 8 kilos immediately and that was s a plus too. Also, being a musician, you find after a while that its great to FEEL the EXCITEMENT and the fear when you’re performing. To know and to be aware .To have the PRESENCE.
I know a lot of drinkers and I see a lot of drinkers. Like that fellow on the street they can be cute and funny for a short time. Prolonged periods spent in their company can get a but tedious. Repetition etc. Maudlin mood swings. Jolly drunks are cool. When I drank I stayed up. I was talkative and came from a family of heroic drinkers. And that family came from a town which was in a country where boozing was a national sport. People used to carry BATHTUBS full of cans and bottles into Adelaide oval to watch the cricket.I’ve seen film of that crazy mob doing that and it filled me with pride that I once lived in such a free and easy country. Now its all law and order and the booze and food concessions are sold to private companies who sell light beer and pale foodstuffs to well behaved crowds and the sponsors are happy etc. The crowd is bought and sold and fed and watered. Football and cricket the same. I know the cry is that its more of a family friendly thing but I despair of living in a world fit only for goddam kids. Hey let ‘em look through the window at the adult hell inside the bar. They can look forward to it with FEAR or EXCITEMENT. At the moment though, its not for them.
On the other side of life in the hills- the night time.-just before Xmas a wild looking character had his picture in the paper for allegedly attacking a copper with a knife. In a suburb even further out. His picture made him look like a zombie, worse than Saddams when he came out of the hole in the ground in Iraq. People thought it funny and pasted the picture as their avatar on social networks as the image of their post Xmas/new Year feel. He was still at large though. The papers said he was in the forests of the hills “travelling up to 30 k’s a night”. For about a week a helicopter kept flying around in the early hours. Someone in a house further into the hills, someone who was staying there for a few weeks, had heard a noise outside and called the police. (Its so quiet up hear you get woken by birds and a car driving past is thunderous). Dutifully, the helicopter was sent out at 2am. People reported that they had fewer eggs so he must be nearby. Up went the chopper again. The folk devil was eventually caught in an inner city suburb and charges have yet to be laid. Back on your heads everyone!

New cd- "rock'n'oll is where I hide - due April on LIBERATION.

New book- "1001 Australian nights" - due April on Affirm Press.

Monday, January 10, 2011

death by harmonica


Death by Harmonica.
I was doin'’ a gig deep in the hills. A modern day gig which means it was pretty primitive. I mean not much thought went into the situation. Nowadays, people have watched so much music on tv and youtube that they think it just “happens”. There is not a lot of empathy with the players in most areas music. I mean look at the critiques. its all about the business (and don’t they know it all) or about the medias perception or recognition of something. They don’t know shit. The public like to think they know whats goin on too. Have you ever wondered why everybody thinks they’re cool now? Its because they know the tempo. Because most of the music allowed in public is OLD. Because people HATE new stuff. The clubs are definitely on that beat. They treat the players like bums. You have to go into these joints like a commando.
Anyway. This little joint was a resonant , hard surfaced cube. Even talking in the room was hard. Three people talking made a real racket. The reverberant sound blew it all up into a major squall. Made it sound busy and exciting I guess. I could deal with that.
(I must say, there's a whole new business out there to be made in dealing with sound in places like gyms. People don't understand it at all. They only know volume).
Had to take my own sound in etc. I could do that. I was by myself with a great amp with a twelve string guitar and a mic pumping through it. Times like that, you dig in and open fire. I pumped out two sets of about an hour each of my own songs. I was a machine.
After the second set I was packing up and a fellow approached me with a beer in his hand, aussie young man style. He asked did I want to have a “jam” with his friend. Turned out his friend played the harmonica. He was “real good” I was told. I’d had to get into a certain mode of defiant hardness to do the gig and was still coasting on that plane. I said, “ I bet he’s real good, I bet he tells you too!”. The kid nodded. I asked if he played anything. He said he mucked around on the guitar. I was feeling like I could give a fuck so I told him. “Cos thats a real instrument. A harmonica is like a sad bike thats left outside a supermarket that everybody gets on and goes for a ride!” He still didn’t seem to get my evil drift and I went on ( and on) that an instrument like a guitar or a set of drums or a sax or a piano is something you never really get to the end of and is also really hard to get a note out of at the beginning. You have to dive into it and get humiliated at first and that feeling of humility never really leaves you when you get down to it.
I was feeling a bit silly and felt I was owed something and that he wasn’t really going to respond so I turned it up a notch . I said “ I see your mate over there. He looks real confident and I bet he is. Harp players are like that because anybody can get a note out of those damn things. They march into your dressing room and light up a fag like they’re a brother and everybodys into getting fucked up and they’re too loud and they never fucking stop. They slobber all over every part of every goddam song if you let them! I have just played for two hours, songs I have written over a couple of decades. From my mind and my life and you are asking me to stand here and comp a twelve bar while this dribbler in high waisted stretch acid washed jeans blows some crummy licks from a fuckin’ toy at me? No I think I’ll pass on that. Stick to the guitar!

I was being reasonable and unreasonable. Rude and stupid. Sometimes you find yourself, as a player, a musician, in a world of pain. Painful, yabbering, swaying, wall eyed t shirted , gelled, bunged up drunks. And they get stuck in a loop and try to drag you into it. If you’re a player, you still have your legs and you know the room, you feel the need to take something back from this world. Perhaps your own dignity. For a moment. You get over it and then wake up to a new day. Its not always that way. Can be if you let it.

The next week I did a gig and I had my band with me so I was happier. In firefights, its best to have some light artillery on your side. At this gig I saw and heard Matt Walker and Broderick Smith playing together. Both can make the harmonica do things that the crude archetype I was mocking above could never do. Matt was playing guitar this time and Broderick was singing and playing the harp. What a master! He concentrates on that little thing and gets melodies out of it. Its there to sing as well as him. Supreme players , performers and writers.
Mike Rudd from Spectrum also has a distinctive tone and grasp of the harmonica. He gets it to do stuff for him and doesn't just bring it in for a melancholy wail here and there.
Other harp players I love on records would be Norton Buffalo who played a lot with the Steve Miller band, Lee Oskar from the amazing r&b/funk/soul band WAR and Magic Dick from the J Geils Band. Stevie Wonder hit it and made it dance but he can do that with any instrument. The classic Little Walter and Howling Wolf put sounds and licks together for everybody else to copy for several generations. And, of course, Toots Thielmans. Any of his albums.
So, I’m trying to take back some of that slack I stole when I was abusing some hardnut harp player who must have upset me somewhere along the way. Blow that thing, its easy!

Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert


Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"


ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)



2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp

UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal