dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

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Current album Dave Graney and the mistLY LYVE AT BYRDS. Two albums in 2020, "Dave Graney and Clare Moore In Concert with Robin Casinader" and "Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross". Two albums in 2019. ONE MILLION YEARS DC by Dave Graney and Clare Moore and ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? from Dave Graney and the mistLY. WORKSHY - 2017 memoir out on Affirm Press. Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Tuesday, May 17, 2016

LONDON shows for two nights

 London was quite agreeably warm in early May and we enjoyed the Kings Cross area we were staying in like it was our old manor. Clare and I caught a Stewart lee "work in progress" show at a great little place called "the Comedy Museum" which is underneath a church on High Holborn. It is a small museum with artefacts on the walls and in glass display cases from Spike Milligan, Russ Abbott, Little Tich, Freddie Starr, Bill Bailey and Steptoe and Son - to name a few. Stewart did an amazingly fresh show , reading from notes and "trying out bits" to an audience of about 100 people.

We played for two nights at a small pub in Clerkenwell called the Bestey Trotwood. I had asked around on the internet for information from London people about venues that were not real "industry" type places. Pete Astor - once of the Weather Prophets and the Loft-ssuggested this place.

It was a downstairs caven type affair, like playing in a small folk club. On the first night we played as a three piece and I had some trouble seeing due to sharp led lights.

The treatment we got was very European- very UN London. The man who ran the pub fed us really well and providied great geaar. A real social affair- the amps came in from a shop in Deenmark st and were brought by Andy and Patrick from the Rocking Birds. Joshua, the young man from Brisbane who booked us there, was extra nice as well. A terrific night.

Tony Harris, who engineered the Moodists album "Thirstys Calling" at Livingstone studios in 1983, poked his face into mine between sets. Many old friends. people who knew us from the Moodists and from the very first version of the Coral Snakes in London in the late 80s. People who knew the album "I was the hunter and I was the prey".

On the Friday night we were joined by Malcolm Ross and we played a fantastic show. Totally great sound. Again, the room was packed with comrades from over the decades. People travelled from Bath, Salford and all over London to be there. Had a wonderful time.

Bob Osborne left his spot at the county cricket in Northamptonshire to come to this show as well.

We stayed in London for another two days and caught a comedy show by Bridget Christie at the Water Rats inKings Cross. Lenins fave pub as well as the place where Bob Dylan played his first ever UK gig and where we used to go see teh Pogues in 83, before they recorded their first album.  When the idea of them ever beinga  recording act was mocked and laughed at.

Thursday, May 5, 2016

Amsterdam and Brussels

We - well I - drove into Amsterdam and found our accommodation. Such a cute town. So many bikes and pedestrians. They have all the rights of way. Driving the narrow cobblestone streets is tough but its not as anarchic as Paris. Orderly in it's way. More bicycles than I've ever seen, anywhere. Old, cute bicycles that a comic country pastor would ride in a movie. All locked to posts when not needed with huge chains.

The first show was at a blues bar. Not my natural habitat but we made show. The club owner was anxious to keep the noise at a low level due to a new and vexatious upstairs apartment owner (well - slowly owning all the other apartments) who was offended by the music club he was sleeping above. The club has been there for 30 years.
We kept the volume low and entertained a mixed collection of night life people.
The next day was quite stunning, sun and blue skies over the canals and the boats and bikes.
We played in the afternoon in a barbecue ribs and country music spot. Not our natural habitat but we made show for three sets. Some old friends from Melbourne came along. Also some people from the night before.

We then drove through Holland and Belgium to Brussels. A bit alarming to see army trucks and soldiers stationed outside the EU buildings as we drove through the centre.
We met up with Georgio "The Dove" Valentino and went along to the venue where we ate and did a short 45 minute set to a very appreciative crowd of music lovers at Cafe CHAFF.  All these shows were played on borrowed equipment and I had the best amp of the tour on this date. A Fender Deluxe Reverb.
We stayed late at the club watching the other band who were kind of indie prog. Nice but a few too many loop pedal tricks for me, I'd rather hear mistakes than perfect loops.

The next day Georgio took us on a  great, sweeping walk through Brussels. Great to have someone who knows history and culture showing you a place like that. We had taken the hire car back and eventually headed to the train station to go to London.

We had work visas and presented our passports. We were an hour early. The British love uniforms and bureaucracy and we ended up getting the train with one minute to spare. Touring is like that, Clare Moore opined. Lots of dead time then a  sudden hair pin bend with heaps of drama and then you fall asleep.

We reached St Pancras station at 5pm and walked to our accommodation.

Playing two nights May 5th and 6th at the Betsey Trotwood in Farringdon rd London.

Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert


Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"


ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)



2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp

UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal