dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

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Current album Dave Graney and the mistLY LYVE AT BYRDS. Two albums in 2020, "Dave Graney and Clare Moore In Concert with Robin Casinader" and "Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross". Two albums in 2019. ONE MILLION YEARS DC by Dave Graney and Clare Moore and ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? from Dave Graney and the mistLY. WORKSHY - 2017 memoir out on Affirm Press. Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Tuesday, September 27, 2011

oct dates-radio shows-etc

The beginning of this blog I was questioning what the point of it was. Still haven't really felt much different. Recent book panel thing with a Yank and a Canadian the talk was of writers performing. I said I loved Michael Ondaatje and people poo pooed him for not being a showman. i said "yeah, he's a feckin' writer!" or somethin' like that. People you have the most respect for are teh ones not shootin' their mouths off all the time. Sports players especially.
Anyway, here I am taking up some digital space. Though that is limitless isn't it? Up in the clouds someshwere?

Here are some random places I have been.

Saw a film called "the singularity" about a US inventor called Ray Kurzweill. He made these great keyboards and things that allowed blind people to scan and hear whats in a book. Obsessed with living forever. Makes a lot of dough with vitamins etc. Takes 2 - 300 pills a day. "reprogramming my hardware". Has identified a moment when man and digital technology will come together and teat will come soon. "THE SINGULARITY". Has a shed with his fathers lifes work in it. Wants to bring his dads brian and ideas back. Wants to upload himself. Was an interesting film. three scientists were at the screening, all working on robotics. Some are for the SINGULAITY and most against it. the robots will kill us. One looked like a Grateful Dead fan, another like Ray Manzarek. (a dork). I asked a question, "aren't you afraid that there might be an agent from the future here in the audience to kill you?". I'm afraid the singularity is already happening. We are done for.

Talked with gary Foley, aboriginal political activist on the radio show I do (Banana Lounge Broadcasting midday-2pm Tuesdays on RRR fm http://www.rrr.org.au). The podcast is available on the RRR "audio archives" section of their site. Gary is doinga show at the Melbourne Festival. A great talker.

Also interviewed football legend Tommy Hafey. Coached Richmond and Collingwood, geelong and Sydney. 80 years old, does 200 pushups, 700 situps, a run along the beach and a swim EVERY morning of his life and has never drank booze or smoked. Amazingly focussed 80 year old. Sharp as a tack.

Gonna talk to Graham Bon in November.Also Robin Hitchcock and Fiona Oloughlin.

Read a great book by Delia Falconer . "the lost thoughts of soldiers". Its a great book if you know the characters in the George Armstroing Custers regiment that was at Little Big Horn. I had a cat for 20 years called AUGHTIE,.the name that Custer was called, when a boy, by his younger brother Tom. So yes, I was up to speed on the 7th cavalry.

Also read William Blighs "mutiny on the bounty" . Six months in Tahiti and the crew mutinied when they left. Bligh cast adrift in a long boat with 18 men. Took them 3,600 miles to Java . One crew member was killed by natives on an island they stopped at. Navigating by sextant , telescope and time piece.

Caught up with series 3 of "Breaking bad". What an arsehole the main character is. Quite addictive though. poor Jesse.

Saw two series of "justified". Awesome characters and milieu. Kentucky meth cooking dope dealing dixie mafia bastards.

Started watching "curb your enthusiasm" from series one.

Still catch "neighbours" most nights.

Loved the new album by PJ Harvey, "let england shake" and teh new one by TINIWAREN. the desert dwelling guitar boogie meisters. This is more of an acoustic hitout.

Doing a lot of writing. Looking forward to some playing...

Wheatsheaf Hotel- Adelaide. Oct 14th and 15th. This gig is run by a group of women in a quiet street just off the main squares of the city. Thebarton. No poker machines or sports tvs. A band room out the back. We do two sets, stretching out into new and old tunes.

Northcote Social Club Oct 31st. A monday night, before the melbourne Cup. With our friends, the Sand Pebbles. A great room with a great sound.

Camelot Lounge, Marrickville, Sydney -Nov 11th.
Great Northern Hotel, Newcastle with teh SINS. Nov 12th.

Thursday, September 15, 2011

time on the blocks-creative dig - oct dates

I've been doing a lot of writing and rehearsing with the Lurid Yellow Mist. Songs I've worked on for a couple of years. Using my 12 string electric , mostly. Its a Chinese knockoff of a Music Man. I love it. Especially when its put through a pedal called a Janglebox which is a handmade unit from the USA made specifically for the electric 12. To get that Roger McGuinn, classic Byrds sound. Involves a lot of compression is all I know. ActuallyI've been looking into it a fair bit. People have been chasing that sound for years so theres a lot of talk about it. Basically Roger recorded through two high end studio compressors on the early Byrds sides. At the time , guitarists mostly used flat wound strings. these are nowadays mostly favoured by jazz players. Everybody else uses round wound strings. Roger also used a 12 string Rickenbacker which had the octave (high) strings sitting behind the normal string so the latter would be struck first. All other 12 strings have the octave string first and you get a much "chimier" sound.
The compression gives you a clean sound with a lot of sustain. Its an addictive sound. Roger also played through a Vox AC30.
I'm still flying my Roland GC408. Solid state with 4 little speakers in the slant-back cabinet.
The music world is full of people who try to recreate sounds like museum piece projects. I'm not looking to go back to 65-67. Just getting a sound which I like and which sits great next to Stu Pereras more classic rock tones.
So I've been rehearsing a lot with this setup and we'll head into the studio some time towards the end of the year to start throwing some songs down. They're all vert much fully formed in the arrangements. Short and sharp tunes. Very happy with the whole sound.
I did a writers festival panel appearance up in Brisbane. In their incredibly swish Gallery of Modern Art building. Next door was the Surrealist exhibition. As good as the one they had there in 1994. It was a 4 person panel talking about "what the written word means". We all had little Madonna mics around our faces and an ipad in front of us to catch tweets from people who were watching online. I told them a normal mic would look more authoritative and be easier to use. Also look less stoopid. I don't want to be the iconoclast in these proceedings. Much too mature really.But I can't help it sometimes. Things went on and I tried to be a good team player. A woman on the panel wrote erotic fiction. Sounds good but I thought teres far too much tits and ass around nowadays. Its hardly a hidden, forbidden area. A music writer and a young fellow who did some group writing online rounded out the team. Towards the end I cracked the shits and said I didn't give a damn what people were tweeting or what the audience thought. "They're there to watch and listen!" I cried. Probably more of the tweeting vogue that upset me. I said I didn't feel the need to talk up the technology (itunes,youtube,ipads etc) as it would smash us all to pieces anyway. Dont ask me to cheer it on!
Also did a panel at the Melbourne writers festival. This was four writers who were or are musicians who had wandered into the world of writing books. Jane Clifton and I were the Australians, Simone Felice from the USA and Dave Bidini from Canada. I had loved Janes book about every house she had lived in and Simones novel called "Black Jesus". Daves book was about the HOmeless World Cup. It was called "Home and away". All the publicity mentioned his book title with no reference to the australian long running tv soap of the same name. I am sure most people reading the pr would have thought he was from the tv show.
Proceedings at this were funny and instructive. Jane was the wrangler. The leader of the talk. We all read a bit. It struck me how much the Canadian and I , the Australian male, put out. As if we had to justify ourselves in any context. the Yankee just WAS. He was easy in his skin and in his role and people listened to his voice as if he had natural authority. Americans have their culture working for them all over the world constantly. preparing the ground. Me and the Canadian were sweating it. I liked Simones book.
Part of the talk was about how writers nowadays have to be performers too. I didn't like that. Of course.
They filmed it and it might be online at some point.

Looking forward to more shows in the coming months....

Friday 14th and Saturday 15th October- Wheatsheaf Hotel -Thebarton - Adelaide.

Monday 31st October- CUP EVE SHOW
Northcote Social Club in Melbourne w/ the Sand Pebbles and the SINS (NSW)

Friday Nov 11th Camelot Lounge - 19 Marrickville Rd,(Cnr Railway Pde) Marrickville, Sydney,

Saturday Nov 12th the Great Northern Hotel 83-89 Scott Street, Newcastle,
NSW - with the SINS

Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert


Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"


ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)



2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp

UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal