dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
Cds available via links below. Your support for our music is greatly appreciated.

About Me

My photo
Current album Dave Graney and the mistLY LYVE AT BYRDS. Two albums in 2020, "Dave Graney and Clare Moore In Concert with Robin Casinader" and "Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross". Two albums in 2019. ONE MILLION YEARS DC by Dave Graney and Clare Moore and ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? from Dave Graney and the mistLY. WORKSHY - 2017 memoir out on Affirm Press. Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Tuesday, July 26, 2011

three south melbourne nights

We did three nights in the old council chambers of the South Melbourne town hall. A beautiful, old and grand building on Bank street, off of Clarendon street. the area used to be called Emerald Hill. Lovely wide streets in this part of Melbourne. The council, along with port Melbourne, was amalgamated( swallowed up) by St Kilda in the Jeff Kennett era. Since then it seems to have been used by the "National music school" and as a rehearsal place for orchestras and small chamber groups. Not a real bohemian hot spot. all that trailing crew having their fun across the river in the northern suburbs.
The shows were a part of the cabaret Festival.This festival is run by two fellow who used to operate the Butterfly Club which is just next door. Very capable and inventive people.
The word cabaret is a problem in Melbourne. I made the point at teh start of each of our shows that the term is a great insult in rock music, which is our world- and we had just strayed into this one.Something about the word- full of connotations and assumptions. there is a small audience that gravitates to it and they are up for new ideas and approaches and performers. A larger part of it is up for the tried and true cabaret-circus-campery . The larger audience outside has difficulty approaching it at all.
To that end we played three nights in a lovely room all standing around a grand piano, two electric guitars, bass and drums , bringing the sound down in volume and power.
Thats how music used to be played - at some point, nothing louder than the bass drum. Only the vocals were mic'd up. We had a great time experiencing that and recorded the nights and filmed some of it. Audiences were small but appreciative.
Part of our aesthetic in playing music is that we like to play in different situations and find different audiences. Its a bit of a bummer that so much of music is played out or only looked for on the main travelled roads.

We'll be doing some more dates in September.

Friday, July 15, 2011

upon reflection- tour scoreboard

WA was not really such a bust. Had a shocking bug that coloured my mood for the flight over and the dates. Coughed for 4 hours during the flight and couldn't do much more than the shows. Met some lovely people. Including a fellow I went to catholic primary school with a thousand years ago on the south eastern side of Mt Gambier. Just across the road from the Badlands. We talked so easily of street names and characters from that pre teen world. Amazing how much of your persona is formed before you become conscious of it. You're already finished and published pretty early on in the game!
Both of us had so few options and faced the same confusing,barren, desolate streets. He went into the army . I travelled into Bohemia I guess.A footloose area of the mind.
Unusual to engage with someone who knows exactly where you are coming from. At least.

So we started this run of dates in early May and it kind of ends at the Sth Melbourne Town hall next week.

We will have done 27 shows in that time. Mostly doing TWO ONE HOUR SETS. Each set having about 13 songs. the first set concentrating on the "rock n roll is where I hide" album and also having a reading from "1001 Australian nights". We were also doing a half dozen new songs which we are intending to record some time this year.

rock'n'roll is where I hide
night of the wolverine 4
feelin' kinda sporty
I'm not afraid to be heavy
man on the make
mt gambier night
apollo 69
birds 'n' goats
I'm gonna release your soul
the sheriff of hell
three dead passengers in a stolen secondhand ford
let kill god again

my schtick weighs a tonne
we dont belong to anybody
I don’t wanna know myself
the stars
field records me
I will have always been here before
youre just too hip baby
sometimes you can see yourself
what if she comes?

midnight to dawn
all our friends were stars
sign o' the times
parchman farm
a lot to drink about
alphonsus will get you
field record me
midnight cats

I also did about 10 readings at Libraries and Bookshops during the tour.

Clare Moore and myself drove about 5,000 ks and we all flew about 13,100 around the rest of the country.
I broke one string and changed the whole set on my 6 string Ibanez Talman ONCE. I busted 3 guitar pedals. No acoustic guitars were used on the tour.
We were caught up by a cloud of Volcanic ash . A flood came through northern NSW a week after we left. Tiger airlines fell to pieces as soon as we booked three flights to perth. We had two bouts of Flu/cold go through the ranks at various times.

Clare Moore also completed several gigs with the Hired Guns and the Ukeladies during that time as did Stu Perera with his other regular band.

I thought the best run gig was at the Sol Bar in Maroochydore.
The worst was the Clarendon Guesthouse.
The rest were all kinds of shapes and sizes and I enjoyed all of them.
I love it when young people find their way to our shows, I also love playing to people who have come in and out of our sphere going back three decades. Thats rich.

South Melbourne Town Hall .
Old Council Chambers.
Friday 22nd to Sun 24th July 7:45 to 8:45 pm

Wednesday, July 13, 2011

victorian RSLs and over to the real economy

Caravan Music Club is a very cute room in Oakleigh. Oakleigh RSL .I have always loved the name of that suburb. Deeply suburban. A venue opened by a fellow who originally had people playing in his house. A reaction to lack of venues in the area and also people who disliked the ones that were operating. Its become a thing/ a place for older people to go. We play anywhere however and this was our first visit .We'd been travelling so long and so intensely that we had no time to scope it out before hand. Stu Perera and mark Fitzgibbon couldn't make the gig. It was a power trio. Me, Mooresy and Thommo.
A beautiful room in a long quiet street.Excellent hospitality. A good crowd of people came along. The older audience is very direct and demanding. They know what they want. I know that they know what they want. They tell me what they want. I know what I want. We were playing at a highly tuned level. I can't know what they mean- know what I mean?
Excellent job for the man who created the club to get off his ass and do something for the local people.

The very next day we play at 2pm at the Williamstown RSL across the bay. While we set up I hear the strangest music over the PA. "Julia" by Pavlovs Dog. A music club called the "WILD WEST" takes over the RSL every week. The fellow who runs the club has read my book and has his ipod selection tuned to every band or song I mention in it!
We play two sets, again to a mature audience. Different socio-economic bracket I guess. Pez is with us for this one. We are packed up and driving home at 6pm. A fellow talks to us who is straight out of a Henry Lawson story. Long flowing (dyed) brown hair under a big stockmans hat with knee length riding boots and the most proper manners I have ever encountered in years. Very well spoken but so diplomatic and erudite. A country gent. The man who runs the club ( who mixed the ipod) runs a local bank and played for the local footy team and went to the local primary and high schools. A local hero. Made the weekend to meet and talk with the people there.

The next weekend we flew to WA for two gigs. Had booked tickets on Tiger which fell over immediately. Scrambled to get some other flights and got there on the Friday. Stayed at a hotel across from the city rail and bus station. They have been constructing something in this area since 1993. Its always had shit all over the street. Nowhere to eat except at the hotel after 5pm. What a sad situation for a city! Billboards for mining everywhere. Talking over the heads of the people to investors. Real people.
No evidence of a poster in the Freo gig.
People turn up. Must be due to Facebook and Twitter. The promoter doesn't. Sends a girl to work the door who is on her phone all night.
At the end of the gig a security guard throws everybody out immediately. I hate security. Not needed for the most part. Not at any gig I ever do. Superfluous insurance bullshit. Making trouble and tension all night.
Next day we walk through the city. in the shops they all moan that nobody is spending. This is the boom town!
Northbridge gig has no posters. The local promoter arrives.
I think he needs JJJ airplay and a large festival situation to get out of bed.
People are there.We make show like no others.

Fly back the next day. Bumped to Business Class. This is living!

Our next shows are at the Old Council Chambers in the South Melbourne Town Hall from Friday 22nd to Sunday 24th July. 7:45 - 8:45 each night. 90 people fit in the room. We'll be doing it as a 5 piece and making it a deluxe show.


Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert


Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"


ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)



2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp

UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal