dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

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2023 book THERE HE GOES WITH HIS EYE OUT (lyrics 1980-2023) 2023 reissue Dave Graney and the Coral Snakes Night Of The Wolverine. Double vinyl release. 2023 ROCK album with Clare Moore IN A MISTLY . WORKSHY - 2017 memoir out on Affirm Press. Available at shows or via website. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Wednesday, May 15, 2019

Mid ZIPPA DEEDOO tour notes



We played a Wednesday night at the Brass Monkey in Cronulla. This is in "The Shire". Sutherland Shire. Sydney people know that as a signifying area. They are sensitive to it. Outsiders (like us Melbourne freaks) can't tune into it so sharply.
The local member is the leader of the Liberal Party, Scott Morrison. Evangelist tool.
Its a cool downstairs venue in a shopping strip right near the train station. It would have been right in the thick of it when the riots happened in 2005.
That would have been a rough time for one of the owners, Jad, as he is a Lebanese Australian.
Sydney is great for small venues in the suburbs, Melbourne has nothing like it.
They present music all week and the food is amazing.
It was a quiet night- a Wednesday - and Clare Moore and I played a set with guitars, percussion and keys. (At  most of these shows we played LETS KICK THIS MOB OUT from Lets Get Tight and it was great to do it in ShowMos backyard.)
Jodi Phillis had gotten in touch and came down from Wollongong to do an opening set. Her music is stunning and her skills as writer, guitar player and singer are of the highest quality. Her latest album is called Becoming and it is superb.



We sat around with Jad after we played.  We have been performing at the venue since it opened in 1999 and the same sound man, Anthony, has been there all along. Jad was being very amusing talking about his parents coming out from Lebanon and going back there every now and again. (Sounded like the Sopranos episode of the American Italians going back "home") He was talking about racist dills going on about Lebanese people being muslim when the population is largely christian. It made me think of my own primary school days at a  Catholic institution (correct word) in Mt Gambier which had many Lebanese christians. Ethnicity was not somthing we were at all in a  constant state of wariness and anxiety about. He said they were Phonecians and I asked if that was TROY and had he ever read The Iliad? He hadn't but I thought it would be quite interesting to read such a classic if you were on the "other" side of the story. With Paris and Hector, Priam and Aeneas.

The next day we were joined by Stu Thomas and played with drums, bass and guitar at the Bunker in Coogee. Again, another suburban gig on a weeknight. You would be hard pressed to find one in Melbourne.


This is a great venue which we have also played  before. We did two sets. We had driven to Sydney with Clares Tama kit, my Crate acoustic amp and two guitars and a Roland Cube for Stu.  With these humble, workhorse boxes, drums and cymbals, we made show. two sets 
A lot from ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? and some songs from FEARFUL WIGGINGS and LETS GET TIGHT. Several songs from our 90s period and some requests from the audience. People were sat in front of us at tables and chairs and it sounded great to me. Lindy Morrison and Amanda Brown from teh Go Betweens were in attendance so my song Everything Was legendary With Robert had their ears humming. I presumed or hoped .


The next night we were at Lazybones which is in Marrickville. A wild night life kind of place. The owner told me it was the only venue in the entirety of Sydney to present music seven nights a week. Maybe he was right.  He also told me it had been visited by police 40 times in the previous year, just to go over rules and regulations to do with the entertainment licence they have to have in Sydney.
Clare Moore is often advancing the opinion that there is some kind of campaign against music in cities and on radio. (Melbourne having more sports radio than oldies stations for instance)

We played two sets here, using the clubs backline drumkit and bass amp. I used my Crate amp. Its a great model made for acoustic guitars and  I use a Sansamp when I play my electric through it to get the right amp tones. I am playing my KYairi 12 string and my Ibanez Salvador archtop. When using the archtop I have the Sansamp on, as well as a Janglebox compression pedal. I use a Maxon Tube Screamer for light overdrive and a Tech21 XXL for super fuzz. Also a Tremolo pedal I bought in London in 1990. (It is so very battered and works on only 1 of 4 settings).
People travelled from Newcastle and the Central Coast to the show. A woman called out for ULTRAKEEF during the entire first and second set until we played it. Requests included Three Dead passengers In A Stolen Second hand Ford and The Birds And The Goats.


The next day we played an early (6pm) show at the Metro Social in Katoomba. A sold out room with seated audience and a small stage. We played a few different songs tonight, from Hashish And Liquor and You've Been In My Mind. This venue is a part of the Metropole Guesthouse near the Katoomba Railway station. Run by Fusion Boutique Presents which is mainly a dynamo called Charity. The Australian music scene needs a few dozen more of her. Totally owns her patch and does everything so well. With a toddler in tow.
I ran into old mate James Scanlon who lives in the Blue Mountains. A free man who has never owned a phone. We occasionally exchange correspondence via letters. He was once in the Craven Fops and The Ghost Of Charlie Couzens.  (Also once of a segment on Andrew Dentons tv show)

Requests at this show included Brass Buttons (Gram Parsons cover we did in 1989) , Warren Oates, Feelin Kinda Sporty and You're Just Too Hip, Baby.

 We drove back to Sydney and then made our way to Dangar Island the next day. This involved a Sunday morning drive through Sydney on Mothers Day to the freeway leading to Newcastle but getting off early at a  train station called Brooklyn and then onto a boat skippered by our friend and agent Steve Griffiths. There are no cars on the island so we carried a guitar each and some bags a short distance to the "venue" which was  a patch of grass outside the Bowling Club where people lay around with each other and their children in the midday sun. (The whole week in Sydney was quite beautiful Autumn weather).
Dangar Island is one of many "islands" on the Hawkesbury River.  Very interesting mix of people. Rich and bohemian. Owners and renters. People commuting to the train station and then teh city on little tin boats. people fishing in the salt water and houses with lawns running down to the rivers edge.

Stu Thomas, Clare Moore and Steve Griffiths



We ate another fantastic vegetarian meal and  played two sets of music. The drumkit, bass amp and guitar amp were upllied by the venue. My amp was a tweed Fender Deluxe Reverb. Every time I play one of those I realize I must have one.

Requests included Rock 'n' Roll Is Where I Hide and Flash In The Pantz. There were a lot of children about so I slurred the word FUCK in Gloria Grahame and subsituted "blow you", "Darn you" "Damn you" and "flick you" for "FUCK YOU" which is most of the words and all of the point in ULTRAKEEF. Nobody died. This is an entirely volunteer run venue and was the third time we had visited the island. We drove back to Sydney and had a dinner party with relatives.


Poor Clare Moore- she actually hates guitars and is surrounded here. 



The next day we left Sydney early as Clare Moore had an 8am gig on Tuesday morning in Melbourne. We drove down the Hume Highway and stopped in a couple of places we haven't seen up close in many years, Jugiong and Euroa. The weather continued to be delightful. It helped, as it was  a twelve hour drive to our door. The van was jammed with stuff and could not really go past 110kmh but I have a  bad feeling I may have collected a robo speeding fine somewhere past Gundagai.







Our shows continue, including our Melbourne launch Sunday afternoon May 26th at the Northcote Social Club. Doors open at 1:30 and David Cosma starts proceedings.

Friday May 24th - Tanswells Commercial Hotel - Beechworth (Graney and Moore)

Sunday May 26th - Northcote Social Club (afternoon) ZIPPADEEDOO album launch show.
Special guest David Cosma. Doors 1:30pm.
Saturday June 1st - The Railway Club Darwin (Graney and Moore)
Saturday June 15th-Major Toms, Kyneton(Graney and Moore)
Friday June 21st the Bison Bar, Nambour.

Saturday June 22nd- Sunday June 23rd - the Bearded Lady, Brisbane.Special guests THE STRESS OF LEISURE

Saturday June 29th - The Caravan Music Club - Bentleigh Special guest Sean McMahon
July 12th - THE GOV - Adelaide.Special guests The Sunday Reeds
"You can dip in almost anywhere into the vast Graney catalogue and find something deeper and more satisfying than the pop fizz of the day. But if you are starting out, this album and attending a Graney gig on an extensive Australian tour in the next few months is an excellent place to begin".
Noel mengel - MusicTrust.com


1 comment:

Brian Hamilton-Smith said...

"Nobody died"...that may be so, but the Spirit of Rock'n'Roll must be spinning in its grave. ULTRAKEEF without the fucks is a travesty!!

(Aside from my feigned outrage on this issue, thanks for another entertaining tour blog, Dave. I love this stuff.)

Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert

ONE MILLION YEARS DC

Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS?

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)

LETS GET TIGHT

FEARFUL WIGGINGS

2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album

Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25


UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp


UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal