Yes, this tour has been challenging. But whatever doesn't kill you, as you know, damages and weakens you , and pretty much almost kills you. So I'm taking that as a positive.
Shows have been up and down in violent swings. Very much buoyed by playing in places like Brisbane where the venues open and close and the people are pretty resourceful- and they find you and come and have a ball. Playing in Adelaide is also always enjoyable. I feel kind of in tune with people there. South Australian tones I guess.
Played a gig on guitar sitting in with the Dames, opening for Barry Adamson. Stu Thomas, also learned the whole set on bass as Rosie Westbrook was away playing with Mick Harvey. Emily Jarrett also learned all the songs for the gig on extra keys as Will Hindmarsh was away in Europe. The set went really well and it was a blast to see Barry play with his band. Then the show was reviewed by a KNOW NOTHING IGNORANT PRIVATE SCHOOL HACK in an online paper who sniffed at the DAMES for not beeing teens and called them Aussie rock. As if they are one of many female led bands on an endless touring circuit. Get a fucking clue you phony, ill educated mere bug! It was also stated that it was a mismatch with Barry, who produced my first recordings with the Coral Snakes (including Clare of course) in 1988 and we've known for ages and I wrote the liner notes for his first solo album. The writer then said Barry sounded like Nick Cave. Fuck you. In the nose!
Stu Thomas is such a match fit player. Aside form learning all that DAMES stuff he has been doing shows with us and with his Stu Thomas Paradox, and guesting in Billy Millers WHO show and playing with Kim Salmon and the Surrealists ( who seem to improvise 1/2 their set) and also playing with Jane Dust and the Giant Hoopoes and Mikelangelo and also some shows on bass with Martin Cilia from the Atlantics. I mean, he gets across all the material and plays it with his whole mind and body. he throws himself into stuff.
The show in Westernport was mad- wildly drunken audience. Bonnie from Wonnie. I mean "shagtown". (Wonthaggi). They drunkest and loudest guy in the world walked to middle of the dancefloor and pulled his pants down during "flash in the pantz".
Eating breakfast the next morning a man came up and said " does anybody under 40 know who you are?" A bit gratuitous. "Yes, some do", I replied.
Brutal conversations like that abound. Too many to recount. I don't want to drag them out, it would seem like I am complaining.
People think musicians are lost and silly types. I think that the players are closer to currents that are swiftly moving than many in the straight world know are even moving. Things are not as they seem in many ways, people and their fantasy views of what is going on "out there" I know.
The Brisbane writers festival was cool. Met with Jeet Thayil, a writer from Hong Kong/New York and Bombay who had read my book and said "it could have been a work of fiction!". The greatest review I have had. He is up for the Booker prize.
Played a solo gig up there. Enjoyed that. I will be doing a lot more after this tour.
Newport Substation was a great gig . Very well attended . No other venue like it in Melbourne.
The Adelaide show (two weeks ago now) was noteable because our brother -in-law Graeme came along, even though he was battling mutiple tumours. He loved our band and the latest record and would always come to see us. A lovely guy. Blessed to have known such a generous character. He died two nights ago. As we packed up in Hepburn Springs.
Heading to WA next. Four of us, travelling from melbourne to the other side of the country.
Thursday 04th Oct Clancys Fish Pub (solo), Fremantle w/ the morning night
Friday 05th Oct – Clancy’s Fish Pub , Dunsborough w/ lucy peach
Saturday 06th Oct – the Bird - Northbridge - Perth w/ the morning night
Sunday 07th Oct – Mojos - Fremantle WA w/ lucy peach
Friday Oct 19th - The Red Rattler- Marrickville
NSW w/ the holy soul
Saturday Oct 20th - The Paperback Sessions -
Smiths Alternative Bookshop - Civic - Canberra
This tour is supported by the Victorian Government through Arts Victoria
The Savage Sportsman- aka australian songwriter,performer and musician dave graney writes an irregular blog.
About Me
- dave graney
- 2023 book THERE HE GOES WITH HIS EYE OUT (lyrics 1980-2023) 2023 reissue Dave Graney and the Coral Snakes Night Of The Wolverine. Double vinyl release. 2023 ROCK album with Clare Moore IN A MISTLY . WORKSHY - 2017 memoir out on Affirm Press. Available at shows or via website. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.
Saturday, September 22, 2012
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Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross
Dave Graney and Clare Moore with Robin Casinader - In Concert
ONE MILLION YEARS DC
Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?).
Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”.
" Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!..
The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!”
Pop Ruins!"
ZIPPA DEEDOO WHAT IS/WAS THAT/THIS?
ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY
This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019
ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)
LETS GET TIGHT
FEARFUL WIGGINGS
2014 solo album from Dave Graney.
*****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail
you've been in my mind
June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp
rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION
SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL
also available as a digital album
Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20
available as a digital album too
We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20
UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album
Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only
Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25
UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release
Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp
UNAVAILABLE ! Completely sold out!
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