dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

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2023 book THERE HE GOES WITH HIS EYE OUT (lyrics 1980-2023) 2023 reissue Dave Graney and the Coral Snakes Night Of The Wolverine. Double vinyl release. 2023 ROCK album with Clare Moore IN A MISTLY . WORKSHY - 2017 memoir out on Affirm Press. Available at shows or via website. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Thursday, April 15, 2010

pioneers! Diggers!

Hey, sorry about that shit that offended you. Whatever it was . Something always does. I was just givin’ one off the wrist, you know, just foolin’ around. I’m often rushing off at the mouth and then feeling like a fool two minutes later. Impulsive type. Hot to exist.
I have noticed , in my movements through the tiny world I am able to access. Make that, as I go about the place - that people are quick to take offence if you gratuitously offer an opinion, or adopt a position which appears to be definitive. People see it is an insult to other people trying to occupy the same area. You are somehow queering the pitch for anybody and everybody if you leave a note ringing in the air. It is always interpreted as an off note. negative. To have an opinion is bad. Its taking some oxygen out of the room. Its therefore cynical and even perhaps bitter. This is, for me , hard to swallow in situations where people talk about music. Basically, you never hear from musicians. You get people who are self appointed experts such as Molly Meldrum or Glenn A Baker or Richard Wilkins or the cast of tv shows like Spicks and Specks or Rock Wiz but you never ever hear from musicians. Isn’t that strange!

Whenever sports is on the pubic tongue the voices most trusted are players or ex players. Same with anything to do with farming, they always genuflect to the guy sitting on a tractor, swiping flies from his face. The one who never moves his lips when he talks. People respect his words though. But don’t you worry about that!

In my case I must proffer a disclaimer, as far as the pompous pop group Queen goes, I hated them way before I could ever twang a note on a guitar. And I still do! The mark of a square! (another is a Kiss t shirt)

I have also noted the hysterical tone that some talk / writing on the magic box (internet) operates at. I guess its the way that it has naturally gone. Like in the industrial touring part of the rock scene where nobody is listened to or respected unless they are threatening violence at any moment. All the language is acidic and crude and nobody hears you otherwise. Its pretty camp to tell you the truth.

Anyway, the talk. It suggests a walk. as in talking the talk and walking the walk. Years ago, I heard that Stephen Stills (Buffalo Springfield/Crosby Stills Nash and....) was talking about his time fighting in ‘nam. While all the hippies were peacing out in SF. Someone had to remind him that this hadn’t happened and that he had been very publicly involved in rock music all through that period. The drugs.
Some people who talk about music suffer a bit from those phantom war experiences. Like the man from the RSL here who had told everybody he was a POW for decades. There are rock’n’roll soldiers who have endured the years of slogging it righteously for the Stooges or the Dolls. They endured the wrongs of history and the cruelty of the pop scene. Eventually, they think they were in the Stooges or the Dolls. Or Crack the Sky or Black Flag. Name your club and get you patch on. Some bands must have had more members than they ever played to.

The magic box , with all its talk and chat, lets all this stuff hang out , dripping wet, for all to see. Its all opinion, like most things in the digital world. It’ll all change soon. I was told , by a person who WORKS WITH COMPUTERS, that soon the internet will be full and they’ll have to start charging people to use it- if they want to use the fastest aspects of it. Whadda ya reckon about that? Will that be inevitable? It sounds plausible. Its a pretty good rumour to start anyway.

I don’t know what I’m talking about so I am a disinterested voice. I mean , I’m not lying.
My friend. lets call him “deep throat”, said that there might be a supercharged , turbo driven type internet available but you’d have to pay more to use this. There would be a public, cheap kind of experience as well but the super dooper one would be there for watching movies ( if anyone is making them) or listening to music (if anybodys making that) . That would be an immediate experience. The public, cheap one would probably be as slow as my current , and probably future experience. A degraded and sluggish taste of something , well not real, but almost so. Kind of like mp3s or music in paddocks (aka rock festivals) or online porn . Perhaps it’ll get people out of the house a bit more when they reject it? Somehow I doubt it. I mean look at football fans, they’ll take anything from the AFL and their clubs. And still they come back for more....

I digress. The talk about music in the rock n roll area is full of dashed dreamers and greatness the public ignored. Its a thing that started happening in the late seventies when another narrative of music was cooked up, a second rail that ran alongside the publicly recognzed one. This one had the Velvet Underground and the Stooges as the marquee acts. Many others have been added to the list since. The ones who were wronged by the times. Instead of the main travelled roads there had been these other, more authentic side roads that had been opened up. And they were more true in their orientation as regarding both the past and the future than that main highway. It was a very beguiling and convincing story.
It was just a story of timing. Those acts still cut through. They just went off later is all. It happened to the French poets of the 1880s- the bomb dropped in the States in the late 40s with the Beats. People are still digging up a few sad zombies here and there. For the most part, everything was released and broadcast up to about 1974 . In My humble opinion! People are zombie hunting because it makes it easier to stomach the fact that the general public doesn’t know about their act who are operating currently. If greatness could be ignored then it could be being missed right now! A comforting thought. It helps to ease the pain I guess. And it helps to stop even trying to push yourself through. Don’t fall for it! Its a scam!



Look out for us in Launceston and Hobart April 23 and 24- Adelaide May 8th and 9th at the Wheatsheaf and my new show "MC BITS- songs that destroyed" at the Butterfly club may 14th and 15th.

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Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert

ONE MILLION YEARS DC

Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS?

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)

LETS GET TIGHT

FEARFUL WIGGINGS

2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album

Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25


UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp


UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal