dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

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WORKSHY - 2017 memoir out on Affirm Press. Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Charlie Christian or Grant Green -but not in this lifetime, I know.

Thursday, July 15, 2010

supermodified-the wild bunch

Stuart Perera plays guitar in our band, the Lurid Yellow Mist . He was born in '77, the year I pretty much thought about playing music. We had another guitar player Bill Miller (who hasn’t played with us for five years but may be coming back for some shows) had a number one record with his band , the Ferrets in the same year. We had no trouble talking about musical ideas because we all like playing music. Its like solving a series of problems, or walking across some abstract plane that keeps changing as you set each foot down. Some times its like a 3 dimensional field and you can see where the notes and the beats fall before it happens. Other times its like a fogged battlefield. Does that make us diggers! Cripes!
Bill went off for a walk a while ago. He was “gonna be some time”. Actually I started to play more guitar and there wasn’t the room or the moolah.
Stuart has played with us since 1998, the year that broke on us after we finished playing with the Coral Snakes. It was my idea to finish that scene and start again. I needed to do it. Stuart was playing at a VCA jazz youth concert and I asked him to play for us. I was lucky.

Clare Moore and I have played music together the whole way. Since 1978. We have shared our terrestrial life as well. Nae probs. We get to run out on that abstract field and we are fully manifest there. We know that. We don't talk about it much , we just know it. The band is completed by our bass player Stuart Thomas and , sometimes , our jazz fellow traveller. Mark Fitzgibbon. (He is full of talk, spending so much of his time in a completely abstract, instrumental world. He loves to talk of the indignities that come your way as you live a musical life. Each outrage is documented and recast to his new audience, us, in even grizzler detail.)
Stuart Thomas plays in the Surrealists with Kim Salmon. He also plays his own music with the Stu Thomas Paradox.
Anyway, we all meet up, like the Wild Bunch and deal with whatever spotfire or situation I have gotten us into. Its not like a band where the experience has all been shared. We all came by a different route. We've all been up and we've all been down. We like to play in this field, this area we know how to operate in. Its like being a pro gambler or a fighter I guess, only the stoned will know. Memory doesn't have much to do with it. We've had to make up some other way to speak with each other. We can't just refer to past battle plans and victories or defeats. Its always been new. We have to go over the top together.

Stu Perera has played on every album since “the Dave Graney Show” in 1998. He also plays around Melbourne clubs very regularly in a funk outfit. He is highly match fit. Not at all indie either. Adele Pickvance played bass on that Dave Graney Show cd and several that followed. She left to rejoin the Go Betweens. Stu Thomas has played with us since 2004 and made his recorded debut on “keepin’ it unreal” in 2006.
Most albums we have made have include about 40% of material recorded and played completely at our Ponderosa studio by Clare Moore and myself. The rest we have gone into a bigger room/ studio and laid down tracks with our band. Its always been a thing with us to have a band. The music sounds best with a collective feel and energy. A unit that is locked in together. Someone could write a book about holding a band together. It might be a bit tedious for some but you consider say, Duke Ellington who had 16 of the greatest, (and they all knew it) players in the world of jazz . They rode trains and buses and planes and reassembled on stages together for 40 years! He apparently never sacked anybody. He just sat someone down next to them playing the same instrument. At the beginning of a show they would do a fanfare, a blast of notes. Everybody had to have their own note. Players would call out , “get off my fuckin’ note!”
We also like to have a band because our songs need instrumentation and dynamics. We don’t really believe that everything can be boiled down to a single element of an acoustic guitar. I once saw Prince do an acoustic set on cable tv. It was so throwaway as he knew it was NOT what it was supposed to sound like. Nothing else was revealed. Its the same with songs by August Darnell ( Kid Creole). The tunes are simple but the rhythms and melodies are nuanced and sophisticated and need the voices and voicings of a couple of keys players, guitar and percussion as well as drums and bass and vocals to bring it to life.

Occasionally we play a show with a keyboard player. Mark Fitzgibbon, a jazz powerhouse, played with us on “HASHISH and LIQUOR” in 2005 and then on “WE WUZ CRURIOUS” in 2008. Hes’s been involved in the narrative shows, “POINT BLANK” AND ‘LIVE IN HELL”.

Mark was living in Perth for 2009. That year we had the pleasure of playing with ADAM RUDEGEAIR who plays with his own jazz trio as well as with HENRY MANETTA AND THE TRIP.
Clare Moore has recorded and played with the latter as well as with JANE DUST AND THE GIANT HOOPOES (who also feature Stu Thomas on bass) and THE DAMES ( with Kaye Louise Patterson and Rosie Westbrook).
Dave Graney and Clare Moore also play with SALMON very occasionally and also as bass and drums with HARRY HOWARDS N.D.E.
Stu Thomas has his band THE STU THOMAS PARADOX.

We like to play a pretty upbeat set when we appear. Not much room for ballads.Its too late for that!

Our new cd is called “SUPERMODIFIED”. Its 18 tracks recorded mostly in the years 2001-2004, remixed in 2010. Re-sung,re strung, replayed, remixed and remastered . Its out on August 7th. On Cockaigne through Fuse.

Played a show last night and Bill Miller got up to play some guitar. I think we’ll be pulling his talents back in as I got to bust some old schol moves and liked it a lot. Stay tuned.

Thursday 22nd (w/Go Go Sapien) July Dave Graney and the Lurid Yellow Mist play at the Grace Darling Hotel, Smith st Collingwood.

Saturday 17th July. Dave Graney -- OSCARS Alehouse in Belgrave

Dave Graney and the Lurid Yellow Mist play the following NSW July dates w/Tiffany Eckhardt and Dave Steel opening.

Thursday 29th July.- Lizottes, Central Coast NSW
Friday 30th July. - Lizottes- Newcastle
Saturday 31st July. - Notes- Newtown
Sunday 1st August. - Brass Monkey ,Cronulla

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2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


Keepin' It Unreal-(2006)-minimalist/lyrical vibes,bass and 12 string set - available $20 via Paypal

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Available $20 via Paypal

UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal