dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
photo by Charlie Kinross. Cds available via links below (or click this picture above). Your support for our music is greatly appreciated.

About Me

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2024 release of two albums. (strangely)(emotional) and I Passed Through Minor Chord In A Morning. 2023 book THERE HE GOES WITH HIS EYE OUT (lyrics 1980-2023) 2023 reissue Dave Graney and the Coral Snakes Night Of The Wolverine. Double vinyl release. 2023 ROCK album with Clare Moore IN A MISTLY . WORKSHY - 2017 memoir out on Affirm Press. Available at shows or via website. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Saturday, October 19, 2024

Goodbye Andrew Picouleau

 Andrew Picouleau passed away this week.

 


I heard about it via text from a friend who had also had the good fortune to have played with him.

Andrew played with Dave Graney and the Coral Snakes on bass in the year 1991-1992. May have been just a little less than two years.

Our bass player Gordy Blair had come to Australia to play with us in 1991 and stayed until August, when he had to leave to return to the UK. I was in a bit of a slump due to an album we had recorded being lost in the British Indie music world as a big distributor had gone under. I was in a low point.

Andrew was a friend of Rod Haywards from previous work in - I think -The Pete Best Beatles (which included Frank Savage - elder brother of Conway- and also had included Gary Adams, Johnny Topper and at some point Spencer Jones). Andrew had also been in the Pop Gun Men and the Metronomes and the Sacred Cowboys. So he was a totally made Melbourne music guy. 

He was educated and light hearted and agreed to play with us until Gordy came back. It was nice of him to do that. He was also a great player and knew the material and nothing fazed him. He was interested in the mechanics of song contstruction and paid me compliments about my tunes as he quickly worked his way into them. That was also really nice of him and at the time I needed all the positivity I could get.

After playing shows around the usual haunts open to us in Melbourne I thought I should just have a spell but Robin Casinader began intensive rehearsals with Andrew, Clare Moore and Rod Hayward - along with Amanda Brotchie - to play his material as The Vanishing Lady. A brilliant band with Robins visionary folk rock bent really coming out. Some very complex arrangements. Robin drilled the band far more than I ever did! Andrew stepped into this all very easily as well. A classic, solid bass player. A great guy to have on your team. The rehearsals were mostly all at our flat in Port Melbourne which was above a garage so I loved listening to the music as an observer and faux outsider.

Clare and I  had a mindset to keep Dave Graney and the Coral Snakes playing in Sydney as much as Melbourne but due to work commitments Andrew couldn't take any time off. (He worked for many years in University administration). We played shows without a bass. Andrew was cool with that too. These were  what we called ‘soft’n’sexy’ shows all through the latter part of 1991 and into ’92. Semi-acoustic shows with acoustic guitars, piano, violin and percussion. 

It all came to a boil around the end of that year. Lure Of the Tropics came out and then I Was the Hunter And I Was The Prey and then we went into a studio for a day to record Night Of The Wolverine. Half of it was done with no bass and for the others, we captured the songs with Andrew on bass for that more full-bodied and full-throated sound. For the groove he had worked up with Clare. It was too good not to record it. We did a couple more days overdubs in the following weeks but Gordy Blair was back in town so Andrew suddenly seemed to fade from the picture. I say that as if it just happened and I wasn't there but it did just occur that way. And I felt a little guilty, always, as thats what bands are like. You are held together by promises and camaraderie. You put up with situations that are very undignified, you see each other at your worst. All that intense stuff. In a way you are more than friends. Comrades! Yeah, we owed Gordy but as it turned out we owed Andrew as well.

We kept in touch with Andrew, not very regularly, but we attended significant moments in each others lives. He would say occasionally things about other players from our band who had moved on or whom we had moved on from like "so you kicked them to the gutter and walked away too?". He would say this sort of thing with a smile and laughter but there was something real there. Those are the sorts of messy things we leave trailing for each other I guess. 

But I don't mean to say he was full of grudges, he just had that dark, grim, macho wit men of our generation tried to summon and play with and which we communicated through.

He was genuinely a nice character and a great player. I was lucky to have met him and played with him.

He continued to work in the university sector as well as recording several albums with The Metronomes.  Farewell, Andrew. Condolences to Margaret and the kids (young adults).

A podcast with Frank Savage and Johnny Topper talking about the bands they were in which Andrew would have occasionally been a part of.

Andrew Picouleau discography

The Metronomes 2023 album.


The Metronomes 2016 album


Pete Best Beatles in "battle Of The Bands" shot. Andrew Picouleau at bottom.








 

 

 


Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert

ONE MILLION YEARS DC

Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS?

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)

LETS GET TIGHT

FEARFUL WIGGINGS

2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album

Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25


UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp


UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal