dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

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2023 book THERE HE GOES WITH HIS EYE OUT (lyrics 1980-2023) 2023 reissue Dave Graney and the Coral Snakes Night Of The Wolverine. Double vinyl release. 2023 ROCK album with Clare Moore IN A MISTLY . WORKSHY - 2017 memoir out on Affirm Press. Available at shows or via website. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Friday, March 26, 2010

cars

This was published in February in the Adelaide Review...

We grew up in Mount Gambier with no car in the household. Well, you can walk everywhere really but it still made a trip in a vehicle a bit exotic when we were kids. You could get your licence at 16 of course. The road toll was something shocking but we all viewed the drink driving laws as a bit of an imposition that would soon go away. Everybody would come to their senses. The off roads around Mt Gambier were full of drunken drivers, farmers and their sons, hoiking it around the unsealed roads like they were on a rally, blind as can bats. Shickered! Molo!
Later on, we had a car parked outside our house, mum had gotten sick of the walking and wanted a bit of power. It was a Mitsubishi Colt, and then a Honda Civic. We were all leaving home as soon as we thought we could. My sister marianne drove off with a friend in a fantastic hotted up white Holden FB station wagon. My older brother had a great Holden HD and then a Ford Transit van with mag wheels. I had a Hillman Minx I found to be so embarrassing I left it by the side of the road one day when it broke down. A cop came around and I sold it to him for $20. The column gear shift had a funny kink pull to get it into reverse and the back doors flew open when I went around a corner.
Panel Vans were big among my friends. Morris Minors with wooden panels down the side and Holden EH and EJ models being popular amongst those who surfed the cruel and cold waves down around the South East. Those cars were ubiquitous. Did you know that Holden started in Adelaide and the letters in front of their various models until the 80s were the initials of members of the family?
Someone also found a purple Dodge DeSoto on a farm and scored it for less than a hundred bucks. It had such a powerful V8 motor , giant leather seats and very helpful holders for beer bottles down by your legs. We liked to salute each other with long necked 740 ml bottles as we drove up and down the main street anyway. We were in a tight spot and did the best we could to get some personal space happening. Toranas were murderous. Big engines and tiny brakes. A friend from school picked me up in a car his mother had bought him. A green Ford Falcon GTHO . The seatbelt was like that on a jet, going up straight over both shoulders.

In our late teens we got to know the highway between Mt gambier and Adelaide. It was always a drive into the unknown. Adventures, booze definitely, dope sure, , perhaps sex. We all piled into the car and drove for five or six hours, taking many breaks to water the long paddock by the side of the road due to the excessive amount of beer we drank.
At the end of the trip was a dramatic series of turns and twists in the road leading finally to the Devils Elbow. It was leaning into each other holding your breath moment as we careened into that turn. It was dangerous and exciting. Afterwards, it was a relaxed roll down the hill to the corner of Glen Osmond Road and Adelaide itself. My auntie Celeste was in the Carmelite Convent on the corner there. I had visited her with my mother on a few occasions and found it so distressing as they talked and finally tried to clutch each other through the bars in the room where the nuns were allowed to talk to people from outside. Later, things got more relaxed and they were allowed to move around in the secular world.I painted a little cottage there once. A place where someone could go during a “retreat”. The whole place had quite a Modernist feel to it. Open and full of sunlight. I visited her there later on , when there were only a few nuns left. It seemed to be quite an idyllic place for an older woman to live.

Now that entrance into Adelaide is a bit more relaxed. A straight descent has been blasted through some of the hard rock of the surrounding hills. Its easier for cars but apparently not so for large trucks. The previous winding descent had allowed for more serious gearing down and braking over a longer period with a heavy load on the back. Like a train ascending or descending a mountain with switchbacks built into the climb. Now its a long, slow ascent and then descent that depends more on the brakes. Perhaps the truckers need some pills to slow down nowadays? Something calming? A free herbal tea stall at one of the last truck bays before the descent?
The road and the tunnel are amazing constructions anyway. We don't have stuff like that in melbourne. Theres no hard rock. The tunnel for cars under the Yarra is a tube floating in silt!

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Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert

ONE MILLION YEARS DC

Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS?

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)

LETS GET TIGHT

FEARFUL WIGGINGS

2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album

Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25


UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp


UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal