dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

My photo
Releasing a digtital single every month in 2016. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Charlie Christian or Grant Green -but not in this lifetime, I know.

Saturday, September 10, 2016

Rupert's Pet's Grave- new digital release - nsw shows next week



The title? Hey it's a double possessive!

Rupert's Pet's Grave.

I'm worried about Rupert's Pet. How will history view it?
Who will shine it's grave?

A whimsical song. You know, "Once upon a time".

In a world................
Where there's this powerful character called Rupert and he has influence and wields it through his vicious PETS who he sends out to yell at people, bully them, create envy, division, unhappiness and misery. General instability in the community.

In the song I say "everybody has to work". But I'm wondering how some of these PETS might sleep at night. And I'm also wondering do they ever think on what will happen when the King carks it?

You read what happened to Stalin's crew when he popped his cork?


There was a purge, mate! Reap what youse sow!

And those successive Elizabethan/ Tudor monarchs and their challengers when each threatened to get up and be a thing? They'd be on the death bed and the crowd would be thinning out as their sycophantic courtiers backed out of the room to race to suck up to the next in line. The dying king or queen left alone in their cot?


Rupert's Pet's Grave
Who's gonna shine it?
After they sweep away the trash and clean the paint?

Rod Stewart in the 22nd century, tells a story of his days as a grave shiner. He was kept hoppin', cleanin' the screen of whatsisname-  Rupert's Pet's Grave

Will there be guards?
Will they be proper, white?
How the man was hated! Stirred the pot so tight.
Who's gonna clean Rupert's Pet's Grave?

He wasn't a "people person", oh how he hated people!
Hate won't keep you alive
It''ll drench your mind - and the lousy words you traded in!

Everybody dies! It's not just a story!
Everybody's got to work - I understand!
Who's gonna clean Rupert's Pet's Grave?

And before that? At the grisly end?
who's gonna wipe?
What poor minimum wage... is gonna clean his privates?
Make him respectable?

Cos when the powers gone to someone else and the crowd drifts off with the force .
And he lays in his cot in a wilderness of unrequited hate...

Everybody dies! It's not just a story!
Everybody's got to work - I understand!
Who's gonna clean Rupert's Pet's Grave?

credits

released September 1, 2016
Dave Graney - guitars, bass , lead vocals.
Clare Moore, drums, percussion, keys , backing vocals.


UPCOMING SHOWS 

dave graney and clare moore at bowral bowls club friday sept 16th.


dave graney and the mistLY  at smiths alternative, canberra sunday sept 18th 



Wednesday, July 27, 2016

You Need A Kleek, Klook

When I was a kid it was the 70s and the era of classic rock and also classic am pop. A very lucky time to be around, so much music in the OPEN AIR. The Rolling Stones and a lot of the British bands always paid props to the people who inspired them. If you liked the Stones you could not know about Muddy Waters or Howlin Wolf. Same with the American bands, really. Hot Tuna had Papa John Creach on violin and Johnny Winter produced and played on those last two amazing Muddy Waters albums on the Blue Sky label. Vintage, African American players and singers were respected and their music was widely available in all kinds of reissues.
I had no real access to live music, an occasional touring band but it was all on the radio or on the tv or in record shops. We listened to music on cassette in cars as we drove aimlessly about , getting stoned on weed and drinking big 750ml bottles of beer. The music really expanded our world, which was very tightly wound.
In some ways, I always had the idea that the party was already over as far as pop went. I was always reading and looking at things that had happened far away and I could not imagine being anywhere cool  myself. The Woodstock movie did the rounds, as did Led Zeppelins "the Song Remains the Same". Jim, was dead, so was Jimi, so was Brian and so was Janice. Even Blind Al Wilson from Canned Heat had copped it.
So I'd be staring at record covers and taking all this information in, hoovering up the faces and names and fonts and dates and times. Lining it all up in my mind.
One of the albums I had very early on, when I was 15 or so, was an old John Mayall disc which mentioned the place it was recorded at. Klooks Kleek.
Sounded impossibly cool to me then it stuck with me.

In late 1983 the Moodists moved from Melbourne to London and most of us lobbed at a squat in the genteel London suburb of West Hampstead. Robert Forster and Lindy Morrison from the Go Betweens had thrown us the keys and we dived into a London life which seemed pretty easy to us. Rowland S Howard and Genevieve McGuckin lived on the top floor. Running water didn't really exist but you didn't really need to wash, and beer - which was our main sustenance -  was very cheap. There was a club up the road we had heard about through news of our friends, the  Birthday Party playing there. The Moonlight Club in West End Lane, West Hampstead.

It turned out that this had been the place where Joy Division had also played their first London shows, also U2 and many others. We were signed to Red Flame, a label run by Dave Kitson, who ran some of these shows and who often talked of a guy called Alan MGee who had a fanzine and a club going and who later started Creation Records (who we also worked with in 1985)


Time goes by and on a  trip to London to play in 2014 we went for a squizz around the West Hampstead area, taking advantage of a new overground railway from South London.

We found the Railway Tavern, which was where the Moonlight Club had taken place, to be boarded up and due for demolition. This was happening all over London.

There was a huge picture of early 60s pop idol Billy Fury near the  pub. I posted a picture online and a fellow responded that he had written a book about the club, which had once been called Klooks Kleek! This was amazing news to me. Turns out it had been a jazz club named after an album by drummer Kenney (Klook) Clarke called "Klooks Clique". It had begun in 1957 and carried through to the late 60s, hosting shows by Cream, Led Zeppelin, Ten Years After, Family and pretty much anybody who was on the scene in that era. This had a lot to do with the fact that Decca Records was just up the nearby lane.

So in 2016 I was, as is my way, thinking on this sort of a portal into time and the kinds of incubators for music that I have been through in my life. Record shops, clubs, pubs and CLIQUES. They're like schools that you go to and you get to be refined as well as pulled and pushed into shape as you move through those joints. Joints that are mostly imagined or fantasies anyway.  They get you to focus your game.

So I wrote this song that is our July release, You Need A Kleek, Klook.
Reaching for a majestic, mythic tone. Twelve string acoustic guitar, bass, piano and synths against a rhythm machine and a heavily reverbed tambourine. Pop music in that Procul / May 68 style and tone, here in 2016.



In the picture on the bottom right is myself and Clare Moore standing outside the Railway hotel. Photo taken by our London friend and artist, Dave Western.


You need a Kleek, Klook
You need a Kleek
people say
How can you happen?
How do you happen, anymore?
You need a Kleek, Klook
You need some weight
wait!
some critical maths
you need a host body
from whence you can dive
You need a Kleek, Klook
You need a push

you need a time and a place and a story
you need to click
you need to slot in and look right at home

you can't just pop
you can't just divide
you need to have happening people around
people need to be dealing with you

You need a Kleek, Klook
You need a Kleek

people need to be dealing with you
like you're a problem
their problem
You need a Kleek, Klook
You need a Kleek

you need to be
boo!
you need to be!
boo!

Upcoming shows
Dave Graney and the mistLY play the Grandview Hotel in Fairfield,Vic
Saturday August 20th


Dave Graney and the Coral Snakes Brisbane Festival (Spiegel tent) September 3rd

Dave Graney And Clare Moore – Bowral Bowling Club September 16th
Dave Graney and the mistLY – Petersham Bowls – September 17th

Dave Graney And Clare Moore – Smith’s Alternative- Canberra September 18th

Dave Graney and the Coral Snakes Semaphore Festival (Adelaide) October 2nd



Thursday, July 21, 2016

Dave Graney'n' the Coral Snakes - who else could take you there?

I always write "Dave Graney 'n' the Coral Snakes", never just "the Coral Snakes". Because.
Well because they're all mostly my songs and I sing them and it feels funny to refer to the situation without myself in it.
We have our modern band which is Dave Graney and the mistLY. Thats, me and Clare, Stu Thomas (since 2004) and Stuart Perera (since 1998).

We'll be doing more shows both historical and modern in the future.

See, the language is getting taut isn't it?

I read an interview with David Thomas from Pere Ubu and he referred to the intial period of Ubus activity as their "historical period". Same goes for other bands I really like such as WIRE. They had that amazing first run of albums, Pink Flag, Chairs Missing and 154. Then they stopped and did  work with different combinations of the band, duo and solo works. Then they got back together and made amazing records and still tour. In their case, it took a long time for them to let their audience find them. They had been hugely influential in the US and toured there in the late 80s with label mates Depeche Mode. Wire were only interested in playing their new music at their own shows. Luckily there was an American band who played their first album PINK FLAG note for note and in perfect album sequence. So Wire got them to be the opening act. They were called The Ideal Copy. Cute, huh?

Robin Casinader, keyboard player for the Coral Snakes, lives in Canberra. We waited for him to come down to Melbourne where we had to go into PBS FM in Collingwood to do a  live to air performance on the Wednesday before our show. Barry Douglas aka Barry Takes Photos was in the studio to film it.




After this session , WE WENT OFF TO REHEARSAL!

The show was at the Corner Hotel. We wanted to do a show in a rock 'n roll venue, in contrast to the MEMO MUSIC HALL we had played at last year. That had been more of a sit-down-theatre kind of setting. A great room also, we just wanted something different.

It was a great night. We had our friends the Sand pebbles and the Ancients play opening sets. Both were wonderful. Great people. Great music.

We did everything for the show ourselves.  All the logistical arrangements and hiring merch people and sound mixer etc as well as talking with the other bands.

I'm saying this because people, even friends, assume we have "people" who do things. All we have is a booking agent. Thats the limit of our engagement with the Austrralian music scene. Its all personal. Our lives are 90% admin.

Thanks go out to Community radio for connecting us with people.

We soundchecked in the afternoon at about 4pm until 5:30 and then hung around until doors. We ate and talked with the Sand Pebbles and friends.

At 11pm we came on and I must say it was an absolutely epic show. After all the hanging and admin and rooting about, to finally just play the shit out of that stuff was quite joyful.

This kind of show is a decade of moves and poses and shapes and song selections all compressed into 75 minutes.





We played so many shows during the 90s and played it in isolation. Fucking grunge years- how funny were they? We were the best, and so we were at the Corner.

If there was a music press there would have been a  review of the show. Who could review Dave Graney 'n' the Coral Snakes though? I tell you, to get a handle on what was going on they would have had to have had a team of scribes, especially a DANCE critic, just to talk about the MEANING OF MY MOVES within each song and within those songs within the greater drama of the show and our career.

As I like to say "who else could take you there! Droppin' some fuckin' science on you there, pal!"

I shit the critics.

It's been great playing with Rod Hayward and Robin Casinader again. Man they play LOUD!

Robin is a genuine freak, and I mean that in the most positive of ways. I'm a proud freak too.
He just starts to meditate anywhere. He cares not for idle chat or what may make other people uncomfortable. He talks when he wants to. We drove him to his hotel after rehearsal and talked of Lionel Barts last great folly and of Anthony Newley. Who else could take us there?

When we first got back together and went over what songs we would play we got to "rock'n'roll is where I hide". I had to mention to Rod and Robin that this song lights up the room wherever we play it. People call out for it even though they don't know the name of the song. Its a monster. They expressed quizzical surprise.

This is the show closer from July 9th 2016.





Dave Graney and the mistLY play the Grandview Hotel in Fairfield,Vic
Saturday August 20th


Dave Graney and the Coral Snakes Brisbane Festival (Spiegel tent) September 3rd

Dave Graney And Clare Moore – Bowral Bowling Club September 16th

Dave Graney and the mistLY – Petersham Bowls – September 17th

Dave Graney And Clare Moore – Smith’s Alternative- Canberra September 18th

Dave Graney and the Coral Snakes Semaphore Festival (Adelaide) October 2nd









Monday, July 4, 2016

Election Limbo-Monday night after Saturday vote

Well the seat we live in - Latrobe- is still up in the air. Postal votes coming in to be counted tomorrow. Apparently about 12,000. I hope Labour wins. The Liberal is an ex copper. The only advice I ever got from my Dad was "don't mess with the Gendarmes!"
My mother? She said "once a cop- never a man!


We went down to the Primary School to vote at about 3pm. A long queue greeted us. There were people from The Greens, the Labour party, Animal Justice Party and one with a  UNION how to vote card. They were all female.
As the queue progressed there was a Liberal party worker who handed out his Senate and House Of Reps how to vote leaflets to people just behind us with the words "we've got to sort this CFA mess out!". He added that he was a CFA member. The couple behind us agreed. I couldn't let it pass and told him that this was a Federal election on s and that the CFA dispute with the Fire Fighters Union was a State Government issue. There was no way a federal government could do anything. He backed off a bit but the couple behind me started yelling that the CFA was important. I said I loved the CFA , and also sausages (there was a bbq nearby) but that was a State issue. I guess they went and voted Liberal. I ran into the woman at my booth and then Clare ran into them at the Supermarket as we made our way to a party.



The party was a friends 40th in the Hills, not far from home. After a while, everybody had their phones out, looking at the count coming in as an upset seemed to be possibly- maybe - happening.

We stayed until 11pm and then went home to catch the Election broadcasts. It turned out to be an exciting, unpredictable event. Not at all what I was expecting. I wanted Labour to win but couldn't believe it ccould really happen. It's not the kind of place to go mad like that. I mean, in a good way.
Queensland went mad, as it usually does. Them and their bitterness and their baseball bats. Always out to clobber some political party, but usually for reasons of .... who knows? They just like to hit people with baseball bats I think.

Anyway, they voted in two Senators from the One Moron Party.  Thanks for that, Maroons!

I have been working on our July release. Just finished it. I used the term Chamber Pop to Clare Moore. She heard it as Chamber Pot. So, no, I won't be using it to describe this song when it comes out. Kind of a baroque, pop folk feel to it. 12 string acoustic, piano, organ, backing vocals, reverberant tambourine and swelling cymbals tinging and crashing. It's going to be called "You Need a Kleek, Klook".
Someone needs a home, context, a background, a story, a crew, some cocoon to emerge from within. They need a Kleek, Klook.
Someone will know what I'm talkin' about.

Best things about the election?
No David Leyonhelm. Wyatt Roy. See yas!

Worst, still got Christopher Pyne, Peter Dutton, Cory Bernardi, Scott Morrison, Greg Hunt. And others....

Malcolm Turnbull kept going on about his PLAN but no one knew what it was. He was either not himself- (its strange how intimate everubody is with him, calling him Malcolm, as if he's someone they really know.) or he has hypnotized people to imagine he  is different to what he is. He had all the same ghouls surrounding him as the man he toppled, Tony Abbott, and all his cruel policies. But people think MALCOLM is really a nice, soft, caring old school Liberal. He just had to win the election then he could be himself. By himself I mean that other person in some peoples minds.

But the people surrounding him are looking at the wreckage of the election and saying he wasn't hard or cruel enough. All those people who voted for the One Moron Party  did so because the Liberals weren't hard enough. Isn't that telling? The Conservative party is so far to the right they look to One Moron to get their bearings?

How about the fact that James Ashby is her political advisor? The guy who sued the former Speaker of the house Peter Slipper for Sexual Harrassment  and so Slipper was removed from the Labour Party - in a  minority government. And someone stole his diary - and the Liberal MP  involved , Mal Brough, had to resign as the Federal Police investigated and Christopher Pyne was mentioned as well as Wyatt Roy. How grubby are these people, the adults?

Maybe Labour will still get a minority government together?



Dave Graney and the Coral Snakes July 9th at the Corner Hotel - Melbourne



Harry Howard and the NDE -  July 16th the Grandview Hotel in Fairfield,Vic

 Harry Howard and the NDE July 23rd Croxton Park Hotel
 
Dave Graney and the mistLY play the Grandview Hotel in Fairfield,Vic
Saturday August 20th

Dave Graney and the Coral Snakes - Brisbane Festival (Spiegel tent) September 3rd

Dave Graney And Clare Moore – Bowral Bowling Club September 16th

Dave Graney and the mistLY – Petersham Bowls – September 17th

Dave Graney And the mistLY – Smith’s Alternative- Canberra September 18th

Dave Graney and the Coral Snakes Semaphore Festival (Adelaide) October 2nd





Thursday, June 30, 2016

On the campaign trail for our show at the Corner July 9th

Last year , when we played our first shows as Dave Graney 'n' the Coral Snakes since 1997, we went on the campaign trail to get word out to the disparate audience we'd entertained in that period. Doors actually opened in places that find it impossible to approach our current activities in many ways.

We had stories in mainstream and street press and even got onto the ABC 7:30 report. I went into Triple M in Melbourne and talked with Mick Molloy and Eddie McGuire. Clare Moore and I had a chat with Glenn Ridge at Magic 693 and Dennis Walter at 3AW. For those not in Melbourne, these are straight out commercial enterprises. The top rating AM and FM (sports related) frequencies.

Yesterday, ahead of this July 9th show at the Corner, we went into 3AW and spoke with a  fellow called Darren James.This was an afternoon show. They have those high frequency ads for Taylors tree and stump removals, Frank Walker for those damned tiles and my favourite, the DRAIN MAN.

I must tell you how refreshing it is to work/ chat with these people. Them and the production staff they have who source the music and information. They are so on the ball. It is so easy as a performer, to be in that room. They are relaxed and cool and mostly really funny. Darren at 3AW played us in with our very latest digital release "Are You Out Of Your Mind (Get Back In)" and we chatted about the Melbourne scene and the show we are doing.


Easy fucking peasy. He played Feelin Kinda Sporty from 1997 and engaged with both myself and Clare. A woman called in to talk about a venue in her area. He cracked a gag about being "the original love god of late night FM.." I laughed and said it was an honour to be working with an actual  God, to which he said " and look at me now- selling broken down furniture on Sunday mornings..." (He mainly works on the weekends on a  kind of radio version of the Trading Post and with the piss weak Melbourne version of an opinionated Shock Jock, John Michael Howson. (More like being flogged with a damp lettuce leaf).

In most cases, commercial radio on both AM and FM have proved to be the most approachable and open. On air, they have this talent who just sit in  a groove and know what they are doing. Pros. They do not freak out about their audience and what they can or can't say or what their audience can or can't hear. They are cool.


Dave Graney and the Coral Snakes July 9th at the Corner Hotel - Melbourne

Harry Howard and the NDE July 23rd Croxton Park Hotel

Dave Graney and the mistLY play the Grandview Hotel in Fairfield,Vic
 Saturday August 20th

Dave Graney and the Coral Snakes - Brisbane Festival (Spiegel tent) September 3rd

Dave Graney And Clare Moore – Bowral Bowling Club September 16th

Dave Graney and the mistLY – Petersham Bowls – September 17th

Dave Graney And Clare Moore – Smith’s Alternative- Canberra September 18th

Dave Graney and the Coral Snakes Semaphore Festival (Adelaide) October 2nd




Wednesday, June 29, 2016

Are You Out Of Your Mind? (Get Back In)

Are You Out Of Your Mind? (Get Back In)

It's our June single.

I started the year with an idea to release a song every month. Being the lazy, sunny  starting month of January, it took until I'm a Good Hater to come out.
March was when "This Is The Deadest Place I've Ever Died In" happened.
Then April came with "I Been Trendy" and May brought us "Drifting Donna Reed". We were in Europe playing and both of those were in the pipeline.

I've been enjoying the discipline of coming up with a  track each month. It's got me thinking and writing with a different kind of focus. Mostly its been all played by myself and Clare Moore. I get ideas quick and jump on them, getting obsessive over sounds and arrangements. I'm not the neatest and Clare usually comes in to tighten, edit , arrange and offer somne textural suggestions.

I've always thought of albums and over arching themes and sounds. This way I'm freed up from that and just hone in on one track and whatever it needs.

I'm A Good Hater was a guitar track I'd recorded for the Fearful Wiggings sessions and never used. We wanted to put some synthy bass with teh driving guitar. That was the musical impetus.

This Is The Deadest Place came from a  mad compression effect that happened when I put on a drum track. It nade the cymbals "whoosh" and "pump". I thought it'd be great to accentuate this and got Clare to drape a string of pearls on her crash cymbal. To softly lay it on the metal and then lift it off. I recorded it and boosted it to get a maddening, clattering and swishing sound over and above the compressed drums. The fuzz bass sat nicely.

I Been Trendy came from an older  drum track that I found. I'd been playing the bass line at soundcheckss for the NDE for a year or so, always meaning to do something with it. I got the groove happening and put down some licks with my vintage Maton ALVER guitar.

This instrument has sat in a corner for decades as more of an ornament than anything but I got the machine heads fixed last year (they were all stuck and bent out of shape) by the guys at Maton and I've found it records beautifully. Not an instrument to be ever taken out of the house, though. The lyric? I was thinking of the bright lights and the wandering gaze of the mob and how it was like, you know, being at a party, in  a tanning salon...

Drifting Donna Reed came froma  rhythm track from 2007. The original song was I Like To Be Haunted. 70s reggae producers always used the same backing track for multiple releases with different vocals over them, we always wanted to try that. I cut and edited the rhythm and added some more guitar licks, a different vocal and some b/vs from Clare Moore. The lyric was riffing on ephemeral pop culture.

Which bring us to Are You Out Of Your Mind? (Get Back In)



Hey it came out on the day that the UK voted to BREXIT- weird huh?

I was asking a friend what people at the ABC did when music was sent to them. He said they were obsessed by the 3 minute length of songs - anything over was not even considered. This song is 2:59.

I started with the drum track and built some chords to it. I was thinking vaguely of a  post punk kind of up tightness with vamping , dampened chords driving the groove. Stuttering and stopping and starting. This happened over a period of a  few hours I guess. I put some bass down and Clare did the organ. I had a luyric which I thiought harked to ssome old Sonny Boy Williamson  blues type thing . "You talk too much" was my line. A bit like his "don't you start me talkin" or Bo Diddleys "shut your mouth!". I love that kind of rude stuff. My music I'd cooked up here was sweeter though and drew the words into different meanings.
The music drove other lines into focus and I ended up with a  song about social media and how people directly plug their brains into "the cloud". "Are you out of your mind?" was the question. People were spilling their minds out into their computers and phones. The age of surveillence and big data. We are vulnerable and needy. GET BACK IN!



Will Hindmarsh and Emily Jarrett from Go Go Sapien came in to the studio and put down some stellar WEST COAST harmonies in one take.  BAM! Sounded too good.

There's a page on our website with all the singles so far on it

I'm working on the July release now. It's sounding hot!


Thursday, June 23, 2016

Rambling - Man.

It's cold outside. I've been inside the house with my cat for days. Bought a new axe and went to clear up some wood down the bottom paddock. (Very Ted and Ralph that) . It's a fibreglass axe in case you were wondering. Please don't advise me that I've done something terrible - its not a purchase I want to make perfectly.

Cutting the wet logs saw me heave the axe into a piece and then struggle to pull it out again for a good five minutes. Please don't send me youtube links on how to use an axe... I had a splitter but the handle broke. I did find that you can't really find axe handles in the proper shape too easily. Why have I lived long enough to have to know names for different shapes of axe handles? Cruel life.

Clare Moore has been in Adelaide doing a show called Southern Belles which she cooked up . Getting a  band togetehr to play songs from Southern Feamle country singer os the late sixties. People like Jeannie C Riley



and the amazing Bobbie Gentry.



People singing sociallly conscious or message type songs. A time of great change for women. 

She got the band together and then asked singers Jane Clifton, Nichaud Fitzgibbon and Carla Lippis to sing the songs. The two nights at the Adelaide Cabaret Festival were sold out before they left Melbourne.

Been reading about Brexit and dealing with our own election. Recording some tracks and hoping to get to Europe again this year.

Also rehearsing with the Coral Snakes for these upcoming shows. And the NDE album number three is coming together (sounding great) . Also doing mistLY shows and some solo and duo sets.

Our June single.

Are You Out Of Your Mind? (Get Back In)




Upcoming shows
June 29th Dave Graney and Lisa Gerrard "songwriter speaks" session at Melbourne Recital Hall - 6pm

Dave Graney and the Coral Snakes July 9th at the Corner Hotel - Melbourne

Harry Howard and the NDE July 23rd Croxton Park Hotel

Dave Graney and the mistLY play the Grandview Hotel in Fairfield,Vic
Saturday August 20th


Dave Graney and the Coral Snakes - Brisbane Festival (Spiegel tent) September 3rd


Dave Graney And Clare Moore – Bowral Bowling Club September 16th

Dave Graney and the mistLY – Petersham Bowls – September 17th


Dave Graney And Clare Moore – Smith’s Alternative- Canberra September 18th

Dave Graney and the Coral Snakes Semaphore Festival (Adelaide) October 2nd


I am at page 600 of a 1200 page John Cowper Powys book called A Glastonbury Romance. His books are a world I can drop down into. Amazing writer. I wouldn't know how to describe it. Fiction yes, but always the same themes and thoughts being worried at all through his books. It's a realm. Interior yet exterior as well. Clare refers to him as "that pervert".

I referred to having aquired a type writer and I have been enjoying writing a  few letters to old friends. Giving them a bit of a  shock I guess. Hopefully not loading them with a  burden in having to reply.
One of the letter exchanges has been with a fellow I was happy to make the aquaintance of a few years ago when he was busking on the street in Melbourne. A wild looking street person with a  wailing electric guitar on Princes Bridge in the city. He was aiming to busk his way to and around Tasmania. I ran into him a few more times, he was on social media and seemed to live in his van with his dog. Devoted to his dog. Well, he's now in gaol on a murder charge. Maximum security.
No guitar, no books, no magazines or cds. The actual fuck happens.
So we've exchanged a couple of letters. Thats a plan.
I knew another bloke from when we were kids. He killed his parents. A long time ago. Then after a gig in 2013 he came up and hugged me. He used to dink me to football training. What do you do? I asked him what happened. he said "madness Dave...". It's not like the movies or in a  song. Scenes don't close or fade. You're still standing there and you've got to deal with things.

When I hear singers sing songs about gaol and how bad they are I can't really cop it. That cuts out 90% of modern woodcore alt country rectionary punk never happened type end of the music spectrum  so it suits me fine.

I went to a night of indigenous country music. When they sang of gaol and people hanging THEMSELVES  and booze and hard times it was real. No learning folk tunes from the internet or old records. Got an education that night.


Seem to have dodged the storm here. Though it's started hailing outside. Sylvie the cat is in her safe place, inside the bass drum behind me.

FEARFUL WIGGINGS

2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

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SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

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also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

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available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20

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UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album

Keepin' It Unreal-(2006)-minimalist/lyrical vibes,bass and 12 string set - available $20 via Paypal

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Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25

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UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Available $20 via Paypal

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UNAVAILABLE ! Completely sold out!

Night of the Wolverine-1993-Reissued 2004 w/extra tracks from the future-available $20 via paypal

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It is written,baby-book released 1997- available $10 via paypal

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