dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS

dave graney - Moodists-Coral Snakes-mistLY-FEARFUL WIGGINGS
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About Me

My photo
2023 book THERE HE GOES WITH HIS EYE OUT (lyrics 1980-2023) 2023 reissue Dave Graney and the Coral Snakes Night Of The Wolverine. Double vinyl release. 2023 ROCK album with Clare Moore IN A MISTLY . WORKSHY - 2017 memoir out on Affirm Press. Available at shows or via website. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Dickey Betts, John Cippolina or Grant Green - but not in this lifetime, I know.

Thursday, October 27, 2011

northcote social club- cup eve mon 31st oct

So we're playing cup eve at the northcote social club. A monday night but its the day before the melbourne Cup and has become a traditional party / going out night. Melbourne Cup stops melbourne for the day. Nobody works. Eventually they made it an actual holiday I think.
We are playing a rock n roll show, previewing some new material as we did in Adelaide. Songs like "flash in the pantz", "we need a champion", "cop this,sweetly" and "playin' chicken". Sounding great. Somebody said it had a harder edge. Don't know when they last saw us though.
Playing with our friends the sand Pebbles who have a new album out called Dark magic. Also the Ocean party who all came from Wagga but are living the dream in Fitzroy. Very young band who I caught playing at a Ron peno gig. Quite post punk in the ringing guitars and vocals. very good songs.

The two nights in Adelaide at the Wheaty were very enjoyable. Also a session I did at an event called the Festival of Unpopular culture." Gas bagging about shit with people like Matt Banham.Db mag called me "the fashionably unhip Dave Graney". I quite like that. Double negative? Edgey!

Went to a cafe attached to a bakery which is in an industrial area and is open 24 hours. Full of night life types and a table of deaf people talking with their hands "loudly" next to us. Reminded me of the old Silver Top taxi cafe in Sth Melbourne. Times ARE good when only a few are experiencing them. Snob! Yes!

A new guitar pedal a "tonerider" has been added , after the micro amp (for clean boost) and the Janglebox. Playing 12 string electric pretty much exclusively. Used to use a multi effects but it died. Back with the Roland GC408 amp. Solid state- four 8" speakers.

Can't help but notice the last chain cd store is stocking less music and more iphone accessories. Don't know where all that is going to end up.

Bought more vinyl jackets and tight pants. Lace ups. Why not?

upcoming dates
Mon Oct 31st- Northcote Social Club
Thursday 10th Nov - solo show at La Casa, Drummoyne- Sydney
Friday 11th Nov - dave graney and the lurid yellow mist at the Camelot Lounge Marrickville
Saturday 12th Nov - great northern hotel newcastle nsw

friday 18th november - solo show at the alleycat bar hobart


http://www.thedavegraneyshow.com

Thursday, October 6, 2011

my fave sounds in rock music

Doing an interview type thing / Q&A for our upcoming dates I got to thinking about what rock music I actually liked. Growing up in the 70s I KNEW all the classic rock when it was modern and happening. teen parties with Black sabbath and Quo and Deep Purple (who I liked the most out of those three) . The Stones being quite distant with their "goats head soup" and "its only rock'n'roll " albums. Huge hit pop singles as well, like "angie" and "fool to cry" and others like the title track to "its only rock'n'roll" really being touched by contemporaries like Slade.

Steely Dan were on the pop radio and pumping out the impenetrably great album like "pretzel logic" and " Katy lied". Freaks like Tim Buckley, Leon Russel , the Blue Oyster Cult, Rory Gallagher and Joe Walsh. Led Zeppelin as distant yet as omnipresent as the Stones. For some reason, the most closest to our experience, in the country, was southern rock. Thats Lynyrd Skynyrd and the Allmans. There were a bunch of others too but these were the main acts. So, anyway, I heard all that then. I have the vinyl and play it every now and again. A lot you still hear all the time on classic rock radio. I was lucky to grow up in such a wild and forward moving time.

LYNYRD SKYNYRD IN THEIR POMP


A lot of it was blown out of the water by punk rock. Well most of it. For a bunch of us. For a while. Just made it redundant.

I still love that classic rock.

I also love the sounds from the post punk period that re aligned and re tuned my sensibilities so much.I love it just as much.

ORANGE JUICE

By that I mean the sounds of those early Postcard records by Orange Juice, especially "simply thrilled honey" and Josef K with "sorry for laughing". The Fire engines had their incredible moments with "get up and use me" and " candyskin".
The Pop Group with "she is beyond good and evil". The Birthday Party/ Boys next door with the hee haw ep and their first album. All the stuff they did before they left Australia. I also loved Panther Burns, the Cramps and Vic Godards Subway Sect.


There was also Pere Ubu with their first two albums, especially "dub housing" and Richard Hell and the Voidoids, Johnny Thunders Heartbreakers and the Contortions or James White and the Blacks.


Recording was hard then. Expensive and usually a fight against the entrenched attitudes of the kind of guys who worked in studios. It was tough! Even though, all the above somehow made sounds that will live forever and people still try to copy today. The Contortions or James White and the Blacks sound as fresh and as vital as if they were recorded yesterday. I bet all the people in that act wish they knew how they made those sounds!

When young people go on about AC/DC or Chisel I know they're talking about a sensibility which is all about the classic rock period. They must have either heard it from their parents or just hear it all the time on raadio. Still . They're being very obedient either way. I was there as a kid. I don't need to hear it all reproduced again and again. It wasn't perfect or anything. Just goofy and innocent really. Stupid, at its best The post punk period was what was supposed to happen next, and it did. Even if the mass didn't notice.

They're my favourite kinds of rock music.The classic and the revolutionary. Nothing much in between. A lot of modern indie rock is in between. Its small in ambition and intent. Fuck it then.



Look out for shows NATIONALLY to coincide with the release of the book "1001 australian nights" through Affirm Press and the new album "rock'n'roll is where I hide" which is out on Liberation.

Friday 14th and Saturday 15th October- Wheatsheaf Hotel -Thebarton - Adelaide.

Monday 31st October- CUP EVE SHOW
Northcote Social Club in Melbourne w/ the Sand Pebbles and the Ocean Party


Friday Nov 11th Camelot Lounge - 19 Marrickville Rd,(Cnr Railway Pde) Marrickville, Sydney,


Saturday Nov 12th the Great Northern Hotel 83-89 Scott Street, Newcastle,
NSW
http://www.thegreatnorthern.com.au/

Tuesday, October 4, 2011

further woodshedding in the Hall



Worked out on some more of the new tunes last night. We rehearse at this place in Yarraville.

YARRAVILLE MOUTH ORGAN BAND HALL


It is empty , of course, when we are doing our rehearsals. A cute ambience though. A little stage at the end where Clare sets up and we all gather round on the floor. Our bass player Stu Thomas organized it as he lives nearby. I walked to the hall from the train station and saw Stu fly by on his electric pushbike to get the key. Clare Moore came from the other side of Melbourne with the drums and my guitar and amp. Stu Perera came from Keysborough, also way out east with his guitar and amp. Stu P has been living at home with his folks. He quit his job to take care of them as they had been battling a few chronic illnesses and frailties of ageing. he has been incredible. Organizing hospital visits and negotiating all the bureauocracy and both are in much better shapes and outlook. What a guy!


STU PERERA AND CLARE MOORE

We spent most of the first hour stretching out on an instrumental groove I have cooked up and called "mistral". By the end I was singing something along with it as I kept having to call out the chords.Stu Perera thinks it sounds like John Abercrombie. I am happy if my songs sound like something else. Preloved!

We then went over a few other tunes we have been working on. "blues negative", "midnight cats", "I don't wanna know myself", "flash in the pantz", "cop this,sweetly", " we need a champion", "playin' chicken" , "lifes a dream", "mt gambier night" , "field record me" and some others. Some we have played live a few times and some we will be taking out for a canter at these shows we have coming up.

Mostly me on 12 string electric, stu on electric guitar, Stu Thomas on bass and Clare on drums.

We talked vaguely of how to record things. I would love, one day, to do a session straight to two track.I mean no mixing, just micing everything up and balancing the sounds and it all goes down to a stereo mix. Otherwise just two mics hanging in the room. With this band, we could do it. Its the best band I've ever had really. Probably meaning that its best for me to express myself within. Playing the guitar and moving the songs. Got my tone together with the electric 12 and the janglebox. These songs are pretty toned and arranged too. Been sitting on some of them for a long time. 11 or 12 songs, all top shelf is what I'm after. Its the first "band" recording of new songs since " we wuz curious" in 2007. Thats my favourite album I've ever done so far. That and "the devil drives" from 1997.
Yes, we could do a live to 2 track with tis band but I think the songs should probably be put down with a bit more attention to a few different sounds. Won't be a lot of overdubs, just a couple of different sounds.

Stu Thomas and Clare Moore have also been rehearsing intensely with Jane Dust and the Giant Hoopoes for a recording which will probably go down in November. Stu is also doing the odd show with Kim Salmon and the Surrealists. Their last, just last week involved no rehearsal and three sets of songs Kim would either just start of call out. Stu also does his own shows with the Stu Thomas Paradox.

STU THOMAS IN THE STUDIO

Clare Moore has also been working with the Ukeladies (playing vibes) and the Hired Guns (drums)



As we packed up we started talking about Captain Beefheart and everybody was trading lines from his songs. Amazing how much of his stuff is so stuck fast in our brains and how fresh it all is. "tropical hot dog night! Like two flamingoes in a fruit fight! every colour of day running around at night. I'm playin this music so all the young girls can come out and meet the monster tonight!"

On the drive home we listened to Australian poet (favourite of mine) Robert Gray talk about a new anthology he has put together with Geoffrey Lehman. Phillp Adams asked him if any song lyrics were in it. He didn't even need to think and said "no". I agree. Poetry is another discipline. A few lines from great singers are worthy .
All of Bo Diddleys "who do you love ". ( I walk 47 miles of barbed wire/cobra snake for a necktie/brand new house by the roadside/made from ratatlesnake hide/ brand new chimney made on top/ made outta human skulls/come on take a walk with me- tell me who do you love". Anything he did really!
Muddy Waters lines in "I can't be satisfied " such as "I be in my sleep/hear my doorbell ring/I'm looking for my woman I dont see a goddam thing/ you know I'm troubled ! I'm all worried in mind/ you know I just can't be satisfied- I just can't keep from cryin'!". 1947! Cop that pop world!
Howlin Wolf , "I shoulda followed my first mind! Then I wouldn't be here down on the killin floor!".
Hohn Lee Hooker, "I'ma crawlin king snake in a room of death!"
JIm Morrison "the cars hiss by my window like the waves down on the beach/ I got this girl beside me but shes out of reach...windows start a tremblin with a sonic boom - BOOM- a call girl will kill you in a darkened room!""

The rest? Toss their skinny white asses in the river!


Actually it is an area where musical gifts are in the picture as well. JImmy Webb is unparalleled in my humble ears for his imagery and melodic powers.
Not looking to argue or saying one is higher or lower, both fields are powerful. Byron will live forever and so will Rimbaud, Verlaine and Apollinaire. So will Hoagy Carmichael and August Darnell.


We have young Melbourne band (originally from Wagga ), the OCEAN PARTY joining us and the Sand Pebbles at the Northcote Social Club on 31st October.

Friday 14th and Saturday 15th October- Wheatsheaf Hotel -Thebarton - Adelaide.

Monday 31st October- CUP EVE SHOW
Northcote Social Club in Melbourne w/ the Sand Pebbles and the OCEAN PARTY )

Friday Nov 11th Camelot Lounge - 19 Marrickville Rd,(Cnr Railway Pde) Marrickville, Sydney,


Saturday Nov 12th the Great Northern Hotel 83-89 Scott Street, Newcastle,
NSW
http://www.thegreatnorthern.com.au/

Dave Graney and Clare Moore with Georgio "the dove" Valentino and Malcolm Ross

Dave Graney and Clare Moore with Robin Casinader - In Concert

ONE MILLION YEARS DC

Starts with a Kinksy groover sketching a 21st century populist tyrant who coasts in power on waves of public resentment at those on the lowest rungs of the ladder (He Was A Sore Winner). Sweeps across a sci fi terrain with nods to songs in the sand at the end of the world (Pop Ruins) and nods to the ties that bind in the underground communities (Comrade Of Pop and Where Did All The Freaks Go?). Songs about intense, long relationships, defunct technology that didn’t answer back, severe social status definition (I’m Not Just Any Nobody), people wandering through your mind as if it was a garage sale, the anxiety of the long running showman (wide open to the elements again) and ends with a song that’s “a little bit Merle Haggard and a little bit Samuel Beckett”. " Edith Grove! Powis Square! 56 Hope Road! Petrie Terrace!.. The Roxy! The Odeon! Apollo! Palais! Olympia! The Whisky! Detroit Grande!” Pop Ruins!"

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS?

ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? (The title comes from the chorus of “Song Of Life” ) is a classic rock’n’roll album. Classic if you lived through what has become known as ”the classic rock era” as it rolled out new and even broke onto the beachhead and morphed into punk. That’s the direction Dave Graney and Clare Moore have always been coming from. They have spent their lives schooled by and immersed in rock ‘n’ roll culture. Neither attended higher education and they dived in deep and kept swimming. From the Moodists through the Coral Snakes /White Buffaloes to the mistLY This is an album with their band, Dave Graney and the mistLY. Stuart Perera has played guitar with them since 1998 and Stu Thomas on bass since 2004. MARCH 2019 ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? 2019 album out on Compact Disc - available here via mail order...
If you are from outside of Australia and wish to purchase a Compact Disc copy of ZIPPA DEEDOO WHAT IS/WAS THAT/THIS? please use this button (different postage)

LETS GET TIGHT

FEARFUL WIGGINGS

2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail

you've been in my mind

June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp

rock'n'roll is where I hide/- 2011 "vintage classics/ re recordings" on LIBERATION

SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL

also available as a digital album

Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20

available as a digital album too

We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20


UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album

Keepin' It Unreal-(2006)-minimalist/lyrical vibes, bass, 12 string set - CDs sold out - digital only

Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25


UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release

Heroic Blues- "folk soul" set from 2002-Availableas a digital album via BandCamp


UNAVAILABLE ! Completely sold out!

It is written,baby-book released 1997- available $10 via paypal