I've been doing a lot of writing and rehearsing with the Lurid Yellow Mist. Songs I've worked on for a couple of years. Using my 12 string electric , mostly. Its a Chinese knockoff of a Music Man. I love it. Especially when its put through a pedal called a Janglebox which is a handmade unit from the USA made specifically for the electric 12. To get that Roger McGuinn, classic Byrds sound. Involves a lot of compression is all I know. ActuallyI've been looking into it a fair bit. People have been chasing that sound for years so theres a lot of talk about it. Basically Roger recorded through two high end studio compressors on the early Byrds sides. At the time , guitarists mostly used flat wound strings. these are nowadays mostly favoured by jazz players. Everybody else uses round wound strings. Roger also used a 12 string Rickenbacker which had the octave (high) strings sitting behind the normal string so the latter would be struck first. All other 12 strings have the octave string first and you get a much "chimier" sound.
The compression gives you a clean sound with a lot of sustain. Its an addictive sound. Roger also played through a Vox AC30.
I'm still flying my Roland GC408. Solid state with 4 little speakers in the slant-back cabinet.
The music world is full of people who try to recreate sounds like museum piece projects. I'm not looking to go back to 65-67. Just getting a sound which I like and which sits great next to Stu Pereras more classic rock tones.
So I've been rehearsing a lot with this setup and we'll head into the studio some time towards the end of the year to start throwing some songs down. They're all vert much fully formed in the arrangements. Short and sharp tunes. Very happy with the whole sound.
I did a writers festival panel appearance up in Brisbane. In their incredibly swish Gallery of Modern Art building. Next door was the Surrealist exhibition. As good as the one they had there in 1994. It was a 4 person panel talking about "what the written word means". We all had little Madonna mics around our faces and an ipad in front of us to catch tweets from people who were watching online. I told them a normal mic would look more authoritative and be easier to use. Also look less stoopid. I don't want to be the iconoclast in these proceedings. Much too mature really.But I can't help it sometimes. Things went on and I tried to be a good team player. A woman on the panel wrote erotic fiction. Sounds good but I thought teres far too much tits and ass around nowadays. Its hardly a hidden, forbidden area. A music writer and a young fellow who did some group writing online rounded out the team. Towards the end I cracked the shits and said I didn't give a damn what people were tweeting or what the audience thought. "They're there to watch and listen!" I cried. Probably more of the tweeting vogue that upset me. I said I didn't feel the need to talk up the technology (itunes,youtube,ipads etc) as it would smash us all to pieces anyway. Dont ask me to cheer it on!
Also did a panel at the Melbourne writers festival. This was four writers who were or are musicians who had wandered into the world of writing books. Jane Clifton and I were the Australians, Simone Felice from the USA and Dave Bidini from Canada. I had loved Janes book about every house she had lived in and Simones novel called "Black Jesus". Daves book was about the HOmeless World Cup. It was called "Home and away". All the publicity mentioned his book title with no reference to the australian long running tv soap of the same name. I am sure most people reading the pr would have thought he was from the tv show.
Proceedings at this were funny and instructive. Jane was the wrangler. The leader of the talk. We all read a bit. It struck me how much the Canadian and I , the Australian male, put out. As if we had to justify ourselves in any context. the Yankee just WAS. He was easy in his skin and in his role and people listened to his voice as if he had natural authority. Americans have their culture working for them all over the world constantly. preparing the ground. Me and the Canadian were sweating it. I liked Simones book.
Part of the talk was about how writers nowadays have to be performers too. I didn't like that. Of course.
They filmed it and it might be online at some point.
Looking forward to more shows in the coming months....
Friday 14th and Saturday 15th October- Wheatsheaf Hotel -Thebarton - Adelaide.
Monday 31st October- CUP EVE SHOW
Northcote Social Club in Melbourne w/ the Sand Pebbles and the SINS (NSW)
Friday Nov 11th Camelot Lounge - 19 Marrickville Rd,(Cnr Railway Pde) Marrickville, Sydney,
Saturday Nov 12th the Great Northern Hotel 83-89 Scott Street, Newcastle,
NSW - with the SINS
- dave graney
- Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Charlie Christian or Grant Green -but not in this lifetime, I know.
2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail
you've been in my mind
June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp
SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL
Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20
available as a digital album too
We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20
UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album
Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25
UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release