We put out an album called “the brother who lived” in 2003. It was, in many ways a new beginning for us and you don’t get many of those. Well, its hard to spot them. Clare Moore and myself prepared the songs for it just after we had done some gigs with the Moodists for the first time in 18 years or so. We were still fizzing from the experience. The previous record “heroic blues” had been billed as a “folk soul” set and it was. Acoustic strums and bouncing, light rhythms. I had a bunch of songs ready that I’d written in the same style, with some tight little licks played on an acoustic and the vocal staying down , tightly boxed in by the chords . After the Moodists we took the same songs and played them in a more supersized manner, Flying V guitar amped up and Clare smashing the drums on songs like “Midnight to dawn” , “like a millionaire” and “the royal troll”. It felt great to be opening up the chest again and singing out.
There were also two ultra pop songs ( for us) that we cooked up with J Walker from Machine Translations. “The brother who lived” and “all our friends were stars”. We were re-engaging with our own past and also the present, feeling comradeship with people around us in the music scene.
Then , last year, we realized we hadn’t made the album available again digitally. Via the internets. I started to listen to it and then went to open up the original recording sessions again. I heard my own voice trying to leap out of both albums. Back then, I wasn’t hitting it like I wanted to. Around the time of “Heroic Blues” I was harbouring a tenacious lung infection that would burst out between the time it was recorded and mixed. I was in poor shape and pretty shocked. It took a while for me to get a hold of my health again. That kind of total inner inflammation gets up a head of steam and takes time to power down. A couple of years later, while doing “the brother who lived” I was still coughing like a coal miner between takes of the songs we did with J Walker. I was firing on half cylinders but trying like crazy to bust into the moment. When I listened to the tracks I wanted to sing them again, now that I’ve got my body back in shape. So I did. And I added some drums and guitars and percussion and other textures. Just for the hell of it. Theres the whole album from “the brother who lived” as well as four tracks we recorded at the time but never released. There are also four tracks from “Heroic Blues” that I wanted to have another pass at with my now, better functioning pipes. Drums and guitars were added and remixing and remastering done. Its a new album, remastered, re-played, re-sung, re-strung, remixed and remastered. . I’m calling it “super modified” . Its
a hot rod of an album.
Out on AUGUST 7th on COCKAIGNE. Distributed via FUSE.
Dave Graney and the Lurid Yellow Mist play the following NSW July dates w/Tiffany Eckhardt opening.
Thursday 29th July.- Lizottes, Central Coast NSW
Friday 30th July. - Lizottes- Newcastle
Saturday 31st July. - Notes- Newtown
Sunday 1st August. - Brass Monkey ,Cronulla
Friday 17th September - Wellers ,Kangaroo Ground- Victoria
Saturday 2nd October- Semaphore Workers Club
Sunday 3rd October (afternoon) Semaphore Music Festival - Adelaide
Sunday 3rd October (evening) Wheatsheaf Hotel - Thebarton- Adelaide
- dave graney
- Let's get Tight - 2017 CD with Clare Moore. Moodists - Coral Snakes - mistLY. I don’t know what I am and don’t want to know any more than I already know. I aspire, in my music , to 40s B Movie (voice and presence) and wish I could play guitar like Charlie Christian or Grant Green -but not in this lifetime, I know.
2014 solo album from Dave Graney. *****"If I've learnt anything in my years of writing about music it's that if you are going to do anything of worth in this tough game, you better have your own thing. Today's generic is easily replaced by tomorrow's. And yet you need to be flexible, to follow wherever the songs demand. In the case of this, only the second credited as a solo album among 30 or so Graney releases, it's a curious yet welcoming lane he walks you down, with acoustic guitars, not much percussion, vibes, smooth sounds. At the end of it you feel like you've awoken from a strange yet pleasant summer's dream. As shot by Luis Bunuel. It ranges from off-kilter reveries (A Woman Skinnies Up a Man, The Old Docklands Wheel) through to the softly seductive (How Can You Get Out of London) and the downright arch (Look Into My Shades, Everything Is Great In The Beginning.) This is music that is neither folk, nor blues, nor country, but it's all Graney, somewhere out to the left field beyond Lee Hazlewood's raised eyebrow. It's astringent on the tongue but sweetens in the telling." Noel Mengel Brisbane Courier Mail
you've been in my mind
June 2012 super high energy pop rock album - blazing electric 12 strings - total 70s rock drive. Greatest yet! available via paypal - $20 pp
SUPERMODIFIED - August 2010 remixed/re-sung/re-strung//remastered/replayed comp via PAYPAL
Knock yourself (2009)-first ever dg solo set-filthy electro r&b-available via Paypal- $20
available as a digital album too
We Wuz Curious (2008)-blazing R&B jazz pop album available via paypal-$20
UNAVAILABLE-COMPLETELY SOLD OUT!!!
AVAILABLE AS A DIGITAL album
Hashish and Liquor (2005 double disc by Dave Graney and Clare Moore) available via Paypal $25
UNAVAILABLE-COMPLETELY SOLD OUT!!!
Single album HASHISH available as a digital release